A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- English Poetry. David Herbert Lawrence. Whales Weep Not!. Дэвид Герберт Лоуренс.
- Late Fragment by Raymond Carver
- Looking For a Sunset Bird in Winter by Robert Frost
- Robert Burns: On Elphinstone’s Translation Of Martial’s Epigrams:
- meeting.html
- The place that is dark without space and the moonlight off the pond (The Gray) by Olivia Lewis
- The Milk-Maid O’ The Farm by William Barnes
- Sonnet 35: No more be grieved at that which thou hast done by William Shakespeare
- How Many Bards Gild The Lapses Of Time! poem – John Keats poems
- Astrophel And Stella; Sonnet CVIII by Sir Philip Sidney
- Ольга Седакова – Стансы третьи (Вино и плавание)
- Владимир Бенедиктов – Л. Е. Ф.
- The Prodigal Son by Rudyard Kipling
- Владимир Маяковский – Реклама Мосполиграф
- Владимир Британишский – Уронили, потеряли
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Яков Полонский – Цветок
- Яков Полонский – Чтобы песня моя разлилась как поток
- Яков Полонский – Чайка
- Яков Полонский – Братья
- Яков Полонский – Блажен озлобленный поэт
- Яков Полонский – Белая ночь
- Яков Полонский – А. Н. Майкову (ответ на стихи его: Полонский! Суждено опять судьбою злою)
- Яков Полонский – Последний вздох
- Яков Полонский – После праздника
- Яков Полонский – Полонский здесь не без привета
- Яков Полонский – Поэт и гражданин, он призван был учить
- Яков Полонский – Подойди ко мне, старушка
- Яков Полонский – Поцелуй
- Яков Полонский – По горам две хмурых тучи
- Яков Полонский – Письмо
- Яков Полонский – Песня циганки
- Яков Полонский – Памяти В. М. Гаршина
- Яков Полонский – Памяти С. Я. Надсона
- Яков Полонский – Откуда
- Яков Полонский – Орел и голубка
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.