A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The night was passing, and the Grecian host
By no means sought to issue forth unseen.
But when indeed the day with her white steeds
Held all the earth, resplendent to behold,
First from the Greeks the loud-resounding din
Of song triumphant came; and shrill at once
Echo responded from the island rock.
Then upon all barbarians terror fell,
Thus disappointed; for not as for flight
The Hellenes sang the holy pæan then,
But setting forth to battle valiantly.
The bugle with its note inflamed them all;
And straightway with the dip of plashing oars
They smote the deep sea water at command,
And quickly all were plainly to be seen.
Their right wing first in orderly array
Led on, and second all the armament
Followed them forth; and meanwhile there was heard
A mighty shout: “Come, O ye sons of Greeks,
Make free your country, make your children free,
Your wives, and fanes of your ancestral gods,
And your sires’ tombs! For all we now contend!”
And from our side the rush of Persian speech
Replied. No longer might the crisis wait.
At once ship smote on ship with brazen beak;
A vessel of the Greeks began the attack,
Crushing the stem of a Phoenician ship.
Each on a different vessel turned its prow.
At first the current of the Persian host
Withstood; but when within the strait the throng
Of ships was gathered, and they could not aid
Each other, but by their own brazen bows
Were struck, they shattered all our naval host.
The Grecian vessels not unskillfully
Were smiting round about; the hulls of ships
Were overset; the sea was hid from sight,
Covered with wreckage and the death of men;
The reefs and headlands were with corpses filled,
And in disordered flight each ship was rowed,
As many as were of the Persian host.
But they, like tunnies or some shoal of fish,
With broken oars and fragments of the wrecks
Struck us and clove us; and at once a cry
Of lamentation filled the briny sea,
Till the black darkness’ eye did rescue us.
The number of our griefs, not though ten days
I talked together, could I fully tell;
But this know well, that never in one day
Perished so great a multitude of men.
A few random poems:
- Олег Григорьев – Увязался М. за Ж.
- Sin and Prayer by Satish Verma
- Did Not by Thomas Moore
- Song—Farewell to the Highlands by Robert Burns
- What Are Solar Roofing Shingles?
- Human Tendency
- Not Fear by Rafael Guillen
- Diffugere Nives poem – A. E. Housman
- Иван Бунин – Ночного неба свод далекий
- Владимир Маяковский – Тревога
- Владимир Бенедиктов – Люблю тебя
- Иннокентий Анненский – Еврипид. Троянки (перевод)
- On A Drop Of Dew poem – Andrew Marvell poems
- Нина Гаген-Торн – Тихо пальцы опускаю
- Ariosto Orlando Furioso Canto X 91 99
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Screw-Guns by Rudyard Kipling
- Russia To The Pacifists by Rudyard Kipling
- Route Marchin’ by Rudyard Kipling
- Romulus and Remus by Rudyard Kipling
- Road-Song of the Bandar-Log by Rudyard Kipling
- Rimmon by Rudyard Kipling
- Rimini by Rudyard Kipling
- Recessional (A Victorian Ode) by Rudyard Kipling
- Recessional by Rudyard Kipling
- Rebirth by Rudyard Kipling
- Puck’s Song by Rudyard Kipling
- Public Waste by Rudyard Kipling
- Prophets at Home by Rudyard Kipling
- Prelude by Rudyard Kipling
- Possibilities by Rudyard Kipling
- Poor Honest Men by Rudyard Kipling
- Philadelphia by Rudyard Kipling
- Pagett, M.P. by Rudyard Kipling
- Outsong in the Jungle by Rudyard Kipling
- Our Fathers Also by Rudyard Kipling
More external links (open in a new tab):
Doska or the Board – write anything
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.