A poem by Aeschylus (c. 525 – c. 456 Before Christ )
A GLEAM – a gleam – from Ida’s height,
By the Fire-god sent, it came;
From watch to watch it leapt, that light,
As a rider rode the flame!
It shot through the startled sky,
And the torch of that blazing glory
Old Lemnos caught on high,
On its holy promontory,
And sent it on, the jocund sign,
To Athos, Mount of Jove divine.
Wildly the while, it rose from the isle,
So that the might of the journeying Light
Skimmed over the back of the gleaming brine!
Farther and faster speeds it on,
Till the watch that keeps Macistus steep
See it burst like a blazing Sun!
Doth Macistus sleep
On his tower-clad steep?
No! rapid and red doth the wild fire sweep;
It flashes afar on the wayward stream
Of the wild Euripus, the rushing beam!
It rouses the light on Messapion’s height,
And they feed its breath with the withered heath.
But it may not stay!
And away – away –
It bounds in its freshening might.
Silent and soon,
Like a broadened moon,
It passes in sheen, Asopus green,
And bursts on Cithaeron gray!
The warder wakes to the Signal-rays,
And it swoops from the hill with a broader blaze.
On, on the fiery Glory rode;
Thy lonely lake, Gorgopis, glowed!
To Megara’s Mount it came;
They feed it again
And it streams amain-
A giant beard of Flame!
The headland cliffs that darkly down
O’er the Saronic waters frown,
Are passed with the Swift One’s lurid stride,
And the huge rock glares on the glaring tide.
With mightier march and fiercer power
It gained Arachne’s neighboring tower;
Thence on our Argive roof its rest it won,
Of Ida’s fire the long-descended Son!
Bright Harbinger of glory and of joy!
So first and last with equal honor crowned,
In solemn feasts the race-torch circles round. –
And these my heralds! – this my SIGN OF PEACE;
Lo! while we breathe, the victor lords of Greece
Stalk, in stern tumult, through the halls of Troy!
A few random poems:
- Orlando Furioso Canto 15 by Ludovico Ariosto
- The White Road Up Athirt The Hill by William Barnes
- Lines on Curll poem – Alexander Pope
- Николай Рубцов – Я тебя целовал
- Ольга Высотская – Волны
- The Silver Moon by Sappho
- I did not want to stop you by Luz del Alba Nicola
- The Beekeeper’s Daughter by Sylvia Plath
- A Cat Perched on the Railing poem – Amy Cavanaugh poems | Poems and Poetry
- Enoch Arden poem – Lord Alfred Tennyson poems
- Verdad Innegable by Victoria Luisa Mora Paoli
- An Autumn Homily poem – Alfred Austin
- The Waste Land by T.S. Eliot
- The Fish by William Butler Yeats
- Низами Гянджеви – Искендер-наме – Страница 3 из 15
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Answers by Mark Strand
- And The Black Scythe With Its Beak of Ibis by Martine Morillon-Carreau
- After Forever by Mark Miller
- A World So Different by Mary Etta Metcalf
- A Poet I knew by Martin Zakovski
- A Piece Of The Storm by Mark Strand
- A Photograph on the Desk by Mary Etta Metcalf
- A Misty Morning by Mary Etta Mietcalf
- A Cozy Little Room by Mary Etta Metcalf
- À ce point du voyage by Martine Morillon-Carreau
- A Dream of Rodney King by Mary TallMountain
- You Ask Why Sometimes I Say Stop by Marge Piercy
- Yell of Pain by Maria Ivana Trevisani Bach
- Year’s End by Marilyn Hacker
- Winter Promises by Marge Piercy
- What Are Big Girls Made Of? by Marge Piercy
- Visiting a Dead Man on a Summer Day by Marge Piercy
- Upon Julia’s Breast by Marie Starr
- Unloved, unmoved by Maria Jastine Golo
- Twas’ the Night Before Christmas and Santa got Drunk by Margaret Marie Hubbard
More external links (open in a new tab):
Doska or the Board – write anything
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.