A poem by Aeschylus (c. 525 – c. 456 Before Christ )
A GLEAM – a gleam – from Ida’s height,
By the Fire-god sent, it came;
From watch to watch it leapt, that light,
As a rider rode the flame!
It shot through the startled sky,
And the torch of that blazing glory
Old Lemnos caught on high,
On its holy promontory,
And sent it on, the jocund sign,
To Athos, Mount of Jove divine.
Wildly the while, it rose from the isle,
So that the might of the journeying Light
Skimmed over the back of the gleaming brine!
Farther and faster speeds it on,
Till the watch that keeps Macistus steep
See it burst like a blazing Sun!
Doth Macistus sleep
On his tower-clad steep?
No! rapid and red doth the wild fire sweep;
It flashes afar on the wayward stream
Of the wild Euripus, the rushing beam!
It rouses the light on Messapion’s height,
And they feed its breath with the withered heath.
But it may not stay!
And away – away –
It bounds in its freshening might.
Silent and soon,
Like a broadened moon,
It passes in sheen, Asopus green,
And bursts on Cithaeron gray!
The warder wakes to the Signal-rays,
And it swoops from the hill with a broader blaze.
On, on the fiery Glory rode;
Thy lonely lake, Gorgopis, glowed!
To Megara’s Mount it came;
They feed it again
And it streams amain-
A giant beard of Flame!
The headland cliffs that darkly down
O’er the Saronic waters frown,
Are passed with the Swift One’s lurid stride,
And the huge rock glares on the glaring tide.
With mightier march and fiercer power
It gained Arachne’s neighboring tower;
Thence on our Argive roof its rest it won,
Of Ida’s fire the long-descended Son!
Bright Harbinger of glory and of joy!
So first and last with equal honor crowned,
In solemn feasts the race-torch circles round. –
And these my heralds! – this my SIGN OF PEACE;
Lo! while we breathe, the victor lords of Greece
Stalk, in stern tumult, through the halls of Troy!
A few random poems:
- Threshold by Rabindranath Tagore
- Inflexible As Fate poem – Alfred Austin
- The Blackbird by William Barnes
- For Life and Death of a Poet by Marcin Malek
- The Fifth Ode Of Horace. Lib. I poem – John Milton poems
- Владимир Бенедиктов – Вьющееся растение
- One Viceroy Resigns by Rudyard Kipling
- Sweet Fire by Samuel Stephen Wakdok
- Владимир Маяковский – Перекопский энтузиазм
- Анатолий Жигулин – Белый-белый торжественный снег
- In The Bus That Is Frantically Rushing From Cairo To Port Said
- Gwin King of Norway by William Blake
- Pequeña niña mía by Mara Romero Torres
- To Dr. MReading Mathmatics by William Somervile
- Not Love Perhaps
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Dancing by Robert Hass
- Children Are Like Water by Robert Lloyd Jaffe
- Cascade by Robert Desnos
- Between The Wars by Robert Hass
- What We Leave Behind by Robert Saltzman
- Water by Robert Lowell
- Waking in the Blue by Robert Lowell
- The Wound by Robert McNamara
- The Withdrawal by Robert Lowell
- The Ruins Of Time by Robert Lowell
- The Quaker Graveyard in Nantucket by Robert Lowell
- The Drunken Fisherman by Robert Lowell
- Skunk Hour by Robert Lowell
- Promise Me Rain Retold by Roberto Cocina
- San Francisco Night Windows by Robert Penn Warren
- True Love by Robert Penn Warren
- Tell Me a Story by Robert Penn Warren
- Mortal Limit by Robert Penn Warren
- Evening Hawk by Robert Penn Warren
- A Way to Love God by Robert Penn Warren
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.