A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Hear ye my statute, men of Attica–
Ye who of bloodshed judge this primal cause;
Yea, and in future age shall Aegeus’s host
Revere this court of jurors. This the hill
Of Ares, seat of Amazons, their tent,
What time ‘gainst Theseus, breathing hate, they came,
Waging fierce battle, and their towers upreared,
A counter-fortress to Acropolis;–
To Ares they did sacrifice, and hence
This rock is titled Areopagus.
Here then shall sacred Awe, to Fear allied,
By day and night my lieges hold from wrong,
Save if themselves do innovate my laws,
If thou with mud, or influx base, bedim
The sparkling water, nought thou’lt find to drink.
Nor Anarchy, nor Tyrant’s lawless rule
Commend I to my people’s reverence;–
Nor let them banish from their city Fear;
For who ‘mong men, uncurbed by fear, is just?
Thus holding Awe in seemly reverence,
A bulwark for your State shall ye possess,
A safeguard to protect your city walls,
Such as no mortals otherwhere can boast,
Neither in Scythia, nor in Pelops’s realm.
Behold! This Court august, untouched by bribes,
Sharp to avenge, wakeful for those who sleep,
Establish I, a bulwark to this land.
This charge, extending to all future time,
I give my lieges. Meet it as ye rise,
Assume the pebbles, and decide the cause,
Your oath revering. All hath now been said.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: Epitaph For James Smith:
- Robert Burns: Epitaph On John Dove, Innkeeper:
- Robert Burns: To A Mouse, On Turning Her Up In Her Nest With The Plough:
- Robert Burns: Halloween: The following poem will, by many readers, be well enough understood; but for the sake of those who are unacquainted with the manners and traditions of the country where the scene is cast, notes are added to give some account of the principal charms and spells of that night, so big with prophecy to the peasantry in the west of Scotland. The passion of prying into futurity makes a striking part of the history of human nature in its rude state, in all ages and nations; and it may be some entertainment to a philosophic mind, if any such honour the author with a perusal, to see the remains of it among the more unenlightened in our own.-R.B.
- Robert Burns: Farewell To Ballochmyle:
- Robert Burns: Young Peggy Blooms:
- Robert Burns: Second Epistle to Davie: A Brother Poet
- Robert Burns: Masonic Song:
- Robert Burns: Lines On Meeting With Lord Daer:
- Robert Burns: Address To The Toothache:
- Robert Burns: Farewell Song To The Banks Of Ayr: “I composed this song as I conveyed my chest so far on my road to Greenock, where I was to embark in a few days for Jamaica. I meant it as my farewell dirge to my native land.”-R. B.
- Robert Burns: O Thou Dread Power: Lying at a reverend friend’s house one night, the author left the following verses in the room where he slept:-
- Robert Burns: Epigram On Rough Roads:
- Robert Burns: Fragment Of Song:
- Robert Burns: The Brigs Of Ayr: Inscribed to John Ballantine, Esq., Ayr.
- Robert Burns: Reply To A Trimming Epistle Received From A Tailor:
- Robert Burns: Willie Chalmers: Mr. Chalmers, a gentleman in Ayrshire, a particular friend of mine, asked me to write a poetic epistle to a young lady, his Dulcinea. I had seen her, but was scarcely acquainted with her, and wrote as follows:-
- Robert Burns: Nature’s Law – A Poem: Humbly inscribed to Gavin Hamilton, Esq.
- Robert Burns: The Calf: To the Rev. James Steven, on his text, Malachi, ch. iv. vers. 2. “And ye shall go forth, and grow up, as Calves of the stall.”
- Robert Burns: Thomson’s Edward and Eleanora.:
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.