A poem by Aeschylus (c. 525 – c. 456 Before Christ )
MESSENGER
Now at the Seventh Gate the seventh chief,
Thy proper mother’s son, I will announce,
What fortune for this city, for himself,
With curses he invoketh:–on the walls
Ascending, heralded as king, to stand,
With paeans for their capture; then with thee
To fight, and either slaying near thee die,
Or thee, who wronged him, chasing forth alive,
Requite in kind his proper banishment.
Such words he shouts, and calls upon the gods
Who o’er his race preside and Fatherland,
With gracious eye to look upon his prayers.
A well-wrought buckler, newly forged, he bears,
With twofold blazon riveted thereon,
For there a woman leads, with sober mien,
A mailed warrior, enchased in gold;
Justice her style, and thus the legend speaks:–
“This man I will restore, and he shall hold
The city and his father’s palace homes.”
Such the devices of the hostile chiefs.
‘Tis for thyself to choose whom thou wilt send;
But never shalt thou blame my herald-words.
To guide the rudder of the State be thine!
ETEOCLES
O heaven-demented race of Oedipus,
My race, tear-fraught, detested of the gods!
Alas, our father’s curses now bear fruit.
But it beseems not to lament or weep,
Lest lamentations sadder still be born.
For him, too truly Polyneikes named,–
What his device will work we soon shall know;
Whether his braggart words, with madness fraught,
Gold-blazoned on his shield, shall lead him back.
Hath Justice communed with, or claimed him hers,
Guided his deeds and thoughts, this might have been;
But neither when he fled the darksome womb,
Or in his childhood, or in youth’s fair prime,
Or when the hair thick gathered on his chin,
Hath Justice communed with, or claimed him hers,
Nor in this outrage on his Fatherland
Deem I she now beside him deigns to stand.
For Justice would in sooth belie her name,
Did she with this all-daring man consort.
In these regards confiding will I go,
Myself will meet him. Who with better right?
Brother to brother, chieftain against chief,
Foeman to foe, I’ll stand. Quick, bring my spear,
My greaves, and armor, bulwark against stones.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
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Poems in English
- Sonnet 133: Beshrew that heart that makes my heart to groan by William Shakespeare
- Sonnet 132: Thine eyes I love, and they, as pitying me by William Shakespeare
- Sonnet 131: Thou art as tyrannous, so as thou art by William Shakespeare
- Sonnet 130: My mistress’ eyes are nothing like the sun by William Shakespeare
- Sonnet 12: When I do count the clock that tells the time by William Shakespeare
- Sonnet 129: Th’ expense of spirit in a waste of shame by William Shakespeare
- The Eolian Harp by Samuel Taylor Coleridge
- Sonnet 32: If thou survive my well-contented day by William Shakespeare
- Sonnet 31: Thy bosom is endearèd with all hearts by William Shakespeare
- Sonnet 30: When to the sessions of sweet silent thought by William Shakespeare
- Sonnet 2: When forty winters shall besiege thy brow by William Shakespeare
- Sonnet 29: When in disgrace with Fortune and men’s eyes by William Shakespeare
- Sonnet 28: How can I then return in happy plight by William Shakespeare
- Sonnet 27: Weary with toil, I haste me to my bed by William Shakespeare
- Sonnet 26: Lord of my love, to whom in vassalage by William Shakespeare
- Sonnet 25: Let those who are in favour with their stars by William Shakespeare
- Sonnet 24: Mine eye hath played the painter and hath stelled by William Shakespeare
- Sonnet 23: As an unperfect actor on the stage by William Shakespeare
- Sonnet 22: My glass shall not persuade me I am old by William Shakespeare
- Sonnet 21: So is it not with me as with that muse by William Shakespeare
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.