A poem by Aeschylus (c. 525 – c. 456 Before Christ )
MESSENGER
Now at the Seventh Gate the seventh chief,
Thy proper mother’s son, I will announce,
What fortune for this city, for himself,
With curses he invoketh:–on the walls
Ascending, heralded as king, to stand,
With paeans for their capture; then with thee
To fight, and either slaying near thee die,
Or thee, who wronged him, chasing forth alive,
Requite in kind his proper banishment.
Such words he shouts, and calls upon the gods
Who o’er his race preside and Fatherland,
With gracious eye to look upon his prayers.
A well-wrought buckler, newly forged, he bears,
With twofold blazon riveted thereon,
For there a woman leads, with sober mien,
A mailed warrior, enchased in gold;
Justice her style, and thus the legend speaks:–
“This man I will restore, and he shall hold
The city and his father’s palace homes.”
Such the devices of the hostile chiefs.
‘Tis for thyself to choose whom thou wilt send;
But never shalt thou blame my herald-words.
To guide the rudder of the State be thine!
ETEOCLES
O heaven-demented race of Oedipus,
My race, tear-fraught, detested of the gods!
Alas, our father’s curses now bear fruit.
But it beseems not to lament or weep,
Lest lamentations sadder still be born.
For him, too truly Polyneikes named,–
What his device will work we soon shall know;
Whether his braggart words, with madness fraught,
Gold-blazoned on his shield, shall lead him back.
Hath Justice communed with, or claimed him hers,
Guided his deeds and thoughts, this might have been;
But neither when he fled the darksome womb,
Or in his childhood, or in youth’s fair prime,
Or when the hair thick gathered on his chin,
Hath Justice communed with, or claimed him hers,
Nor in this outrage on his Fatherland
Deem I she now beside him deigns to stand.
For Justice would in sooth belie her name,
Did she with this all-daring man consort.
In these regards confiding will I go,
Myself will meet him. Who with better right?
Brother to brother, chieftain against chief,
Foeman to foe, I’ll stand. Quick, bring my spear,
My greaves, and armor, bulwark against stones.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- English Poetry. Thomas Moore. From “The Odes of Anacreon”. Ode 56. Томас Мур.
- English Poetry. Thomas Moore. From “The Odes of Anacreon”. Ode 66. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 103. The Mountain Spite. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 99. ’Twas One of Those Dreams. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 91. Oh, Ye Dead!. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 85. Oh For the Swords of Former Time. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 58. Farewell! – But Whenever You Welcome the Hour. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 44. She Is Far From the Land. Томас Мур.
- English Poetry. Thomas Moore. From “Irish Melodies”. 26. Erin, Oh Erin. Томас Мур.
- English Poetry. Mark Akenside. The Pleasures of Imagination. Марк Эйкенсайд.
- English Poetry. Thomas Moore. From “Irish Melodies”. 22. Let Erin Remember the Days of Old. Томас Мур.
- English Poetry. Richard Hovey. The Old Pine. Ричард Хави.
- English Poetry. Richard Hovey. John Keats. Ричард Хави.
- English Poetry. Madison Julius Cawein. Haunted. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Going for the Cows. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Garden and Gardener. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Forevermore. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Finale. Мэдисон Джулиус Кавейн.
- English Poetry. Madison Julius Cawein. Evasion. Мэдисон Джулиус Кавейн.
- Copywriting Agency Foundation For Prosperous Business
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.