A poem by Aeschylus (c. 525 – c. 456 Before Christ )
NURSE
Our mistress bids me with all speed to call
Aegisthus to the strangers, that he come
And hear more clearly, as a man from man,
This newly brought report. Before her slaves,
Under set eyes of melancholy cast,
She hid her inner chuckle at the events
That have been brought to pass–too well for her,
But for this house and hearth most miserably,–
As in the tale the strangers clearly told.
He, when he hears and learns the story’s gist,
Will joy, I trow, in heart. Ah, wretched me!
How those old troubles, of all sorts made up,
Most hard to bear, in Atreus’s palace-halls
Have made my heart full heavy in my breast!
But never have I known a woe like this.
For other ills I bore full patiently,
But as for dear Orestes, my sweet charge,
Whom from his mother I received and nursed . . .
And then the shrill cries rousing me o’ nights,
And many and unprofitable toils
For me who bore them. For one needs must rear
The heedless infant like an animal,
(How can it else be?) as his humor serve
For while a child is yet in swaddling clothes,
It speaketh not, if either hunger comes,
Or passing thirst, or lower calls of need;
And children’s stomach works its own content.
And I, though I foresaw this, call to mind,
How I was cheated, washing swaddling clothes,
And nurse and laundress did the selfsame work.
I then with these my double handicrafts,
Brought up Orestes for his father dear;
And now, woe’s me! I learn that he is dead,
And go to fetch the man that mars this house;
And gladly will he hear these words of mine.
A few random poems:
- Владимир Костров – Памяти Николая Анциферова
- South Africa by Ronald G. Auguste
- In A Garden by Sara Teasdale
- In Neglect by Robert Frost
- Алексей Николаевич Толстой – Золото
- Robert Burns: Epitaph For Mr. Walter Riddell:
- Epigram—The Toad-eater by Robert Burns
- By The Side Of The Grave Some Years After by William Wordsworth
- Parabola
- Алексей Жемчужников – О, жизнь
- To S.M., A Young African Painter, On Seeing His Works by Phillis Wheatley
- Know, Celia, Since Thou Art So Proud by Thomas Carew
- Night poem – Yahya Kemal Beyatli poems | Poetry Monster
- Thanksgiving for a Habitat by W H Auden
- Василий Тредиаковский – Леший и мужик
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Apologetic Postscript Of A Year Later by Robert Louis Stevenson
- An English Breeze by Robert Louis Stevenson
- Air Of Diabelli’s by Robert Louis Stevenson
- Ad Se Ipsum by Robert Louis Stevenson
- Ad Quintilianum by Robert Louis Stevenson
- Ad Piscatorem by Robert Louis Stevenson
- Ad Olum by Robert Louis Stevenson
- Ad Nepotem by Robert Louis Stevenson
- Ad Martialem by Robert Louis Stevenson
- Ad Magistrum Ludi by Robert Louis Stevenson
- About The Sheltered Garden Ground by Robert Louis Stevenson
- A Valentine’s Song by Robert Louis Stevenson
- A Thought by Robert Louis Stevenson
- A Good Play by Robert Louis Stevenson
- A Good Boy by Robert Louis Stevenson
- Upon Her Eyes by Robert Herrick
- The Hock-cart, or Harvest Home by Robert Herrick
- To Youth by Robert Herrick
- SOFT MUSIC by Robert Herrick
- The Bride-Cake by Robert Herrick
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.