A poem by Aeschylus (c. 525 – c. 456 Before Christ )
NURSE
Our mistress bids me with all speed to call
Aegisthus to the strangers, that he come
And hear more clearly, as a man from man,
This newly brought report. Before her slaves,
Under set eyes of melancholy cast,
She hid her inner chuckle at the events
That have been brought to pass–too well for her,
But for this house and hearth most miserably,–
As in the tale the strangers clearly told.
He, when he hears and learns the story’s gist,
Will joy, I trow, in heart. Ah, wretched me!
How those old troubles, of all sorts made up,
Most hard to bear, in Atreus’s palace-halls
Have made my heart full heavy in my breast!
But never have I known a woe like this.
For other ills I bore full patiently,
But as for dear Orestes, my sweet charge,
Whom from his mother I received and nursed . . .
And then the shrill cries rousing me o’ nights,
And many and unprofitable toils
For me who bore them. For one needs must rear
The heedless infant like an animal,
(How can it else be?) as his humor serve
For while a child is yet in swaddling clothes,
It speaketh not, if either hunger comes,
Or passing thirst, or lower calls of need;
And children’s stomach works its own content.
And I, though I foresaw this, call to mind,
How I was cheated, washing swaddling clothes,
And nurse and laundress did the selfsame work.
I then with these my double handicrafts,
Brought up Orestes for his father dear;
And now, woe’s me! I learn that he is dead,
And go to fetch the man that mars this house;
And gladly will he hear these words of mine.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
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Poems in English
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- Dropping Truth on That Pretty Little Head by Rob Leatherman Sr.
- Clinic by Rob Leatherman Sr.
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- A Perfect World by Robby Charters
- Winged And Acid Dark by Robert Hass
- Under Cover of Night by Robert Desnos
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- The Sympathies of the Long Married by Robert Bly
- The Song of the Borderguard by Robert Duncan
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.