A poem by Aeschylus (c. 525 – c. 456 Before Christ )
CASSANDRA
Phoebus Apollo!
CHORUS
Hark!
The lips at last unlocking.
CASSANDRA
Phoebus! Phoebus!
CHORUS
Well, what of Phoebus, maiden? though a name
‘Tis but disparagement to call upon
In misery.
CASSANDRA
Apollo! Apollo! Again!
Oh, the burning arrow through the brain!
Phoebus Apollo! Apollo!
CHORUS
Seemingly
Possessed indeed–whether by–
CASSANDRA
Phoebus! Phoebus!
Through trampled ashes, blood, and fiery rain,
Over water seething, and behind the breathing
War-horse in the darkness–till you rose again,
Took the helm–took the rein–
CHORUS
As one that half asleep at dawn recalls
A night of Horror!
CASSANDRA
Hither, whither, Phoebus? And with whom,
Leading me, lighting me–
CHORUS
I can answer that–
CASSANDRA
Down to what slaughter-house!
Foh! the smell of carnage through the door
Scares me from it–drags me toward it–
Phoebus Apollo! Apollo!
CHORUS
One of the dismal prophet-pack, it seems,
That hunt the trail of blood. But here at fault–
This is no den of slaughter, but the house
Of Agamemnon.
CASSANDRA
Down upon the towers,
Phantoms of two mangled children hover–and a famished man,
At an empty table glaring, seizes and devours!
CHORUS
Thyestes and his children! Strange enough
For any maiden from abroad to know,
Or, knowing–
CASSANDRA
And look! in the chamber below
The terrible Woman, listening, watching,
Under a mask, preparing the blow
In the fold of her robe–
CHORUS
Nay, but again at fault:
For in the tragic story of this House–
Unless, indeed the fatal Helen–No
woman–
CASSANDRA
No Woman–Tisiphone! Daughter
Of Tartarus–love-grinning Woman above,
Dragon-tailed under–honey-tongued, Harpy-clawed,
Into the glittering meshes of slaughter
She wheedles, entices him into the poisonous
Fold of the serpent–
CHORUS
Peace, mad woman, peace!
Whose stony lips once open vomit out
Such uncouth horrors.
CASSANDRA
I tell you the lioness
Slaughters the Lion asleep; and lifting
Her blood-dripping fangs buried deep in his mane,
Glaring about her insatiable, bellowing,
Bounds hither–Phoebus Apollo, Apollo, Apollo!
Whither have you led me, under night alive with fire,
Through the trampled ashes of the city of my sire,
From my slaughtered kinsmen, fallen throne, insulted shrine,
Slave-like to be butchered, the daughter of a royal line!
A few random poems:
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- Poems On Beauty by Rabindranath Tagore
- Федор Тютчев – Как верно здравый смысл народа
- Epistle to Colonel de Peyster by Robert Burns
- Владимир Маяковский – Сердитый дядя
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- The Song of the Cities by Rudyard Kipling
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- Валерий Брюсов – Из лесной жути
- The Yellow Violet by William Cullen Bryant
- Anguish of Fate by Pierre Reverdy
- Robert Burns: The Winter It Is Past:
- Where Is David, the Next King of Israel? by Vachel Lindsay
- The Unfortunate Lover poem – Andrew Marvell poems
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- New Year’s Dawn – Broadway by Sara Teasdale
- In Memoriam F.O.S. by Sara Teasdale
- Madeira From The Sea by Sara Teasdale
- In David’s “Child’s Garden Of Verses” by Sara Teasdale
- Love In Autumn by Sara Teasdale
- In a Subway Station by Sara Teasdale
- Less Than The Cloud To The Wind by Sara Teasdale
- In A Restaurant by Sara Teasdale
- Interlude: Songs Out Of Sorrow by Sara Teasdale
- In A Railroad Station by Sara Teasdale
- In The Train by Sara Teasdale
- In A Garden by Sara Teasdale
- In The Metropolitan Museum by Sara Teasdale
- In A Cuban Garden by Sara Teasdale
- In The End by Sara Teasdale
- In the Carpenter’s Shop by Sara Teasdale
- In Spring, Santa Barbara by Sara Teasdale
- In Memoriam F.O.S. by Sara Teasdale
- In David’s “Child’s Garden Of Verses” by Sara Teasdale
- In a Subway Station by Sara Teasdale
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.