A poem by Aeschylus (c. 525 – c. 456 Before Christ )
CASSANDRA
Phoebus Apollo!
CHORUS
Hark!
The lips at last unlocking.
CASSANDRA
Phoebus! Phoebus!
CHORUS
Well, what of Phoebus, maiden? though a name
‘Tis but disparagement to call upon
In misery.
CASSANDRA
Apollo! Apollo! Again!
Oh, the burning arrow through the brain!
Phoebus Apollo! Apollo!
CHORUS
Seemingly
Possessed indeed–whether by–
CASSANDRA
Phoebus! Phoebus!
Through trampled ashes, blood, and fiery rain,
Over water seething, and behind the breathing
War-horse in the darkness–till you rose again,
Took the helm–took the rein–
CHORUS
As one that half asleep at dawn recalls
A night of Horror!
CASSANDRA
Hither, whither, Phoebus? And with whom,
Leading me, lighting me–
CHORUS
I can answer that–
CASSANDRA
Down to what slaughter-house!
Foh! the smell of carnage through the door
Scares me from it–drags me toward it–
Phoebus Apollo! Apollo!
CHORUS
One of the dismal prophet-pack, it seems,
That hunt the trail of blood. But here at fault–
This is no den of slaughter, but the house
Of Agamemnon.
CASSANDRA
Down upon the towers,
Phantoms of two mangled children hover–and a famished man,
At an empty table glaring, seizes and devours!
CHORUS
Thyestes and his children! Strange enough
For any maiden from abroad to know,
Or, knowing–
CASSANDRA
And look! in the chamber below
The terrible Woman, listening, watching,
Under a mask, preparing the blow
In the fold of her robe–
CHORUS
Nay, but again at fault:
For in the tragic story of this House–
Unless, indeed the fatal Helen–No
woman–
CASSANDRA
No Woman–Tisiphone! Daughter
Of Tartarus–love-grinning Woman above,
Dragon-tailed under–honey-tongued, Harpy-clawed,
Into the glittering meshes of slaughter
She wheedles, entices him into the poisonous
Fold of the serpent–
CHORUS
Peace, mad woman, peace!
Whose stony lips once open vomit out
Such uncouth horrors.
CASSANDRA
I tell you the lioness
Slaughters the Lion asleep; and lifting
Her blood-dripping fangs buried deep in his mane,
Glaring about her insatiable, bellowing,
Bounds hither–Phoebus Apollo, Apollo, Apollo!
Whither have you led me, under night alive with fire,
Through the trampled ashes of the city of my sire,
From my slaughtered kinsmen, fallen throne, insulted shrine,
Slave-like to be butchered, the daughter of a royal line!
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- Greek Light
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- Степан Щипачев – За селом синел далекий лес
- Галина Гампер – Забываю я все
- Robert Burns: The Poet’s Reply To The Threat Of A Censorious Critic: My imprudent lines were answered, very petulantly, by somebody, I believe, a Rev. Mr. Hamilton. In a MS., where I met the answer, I wrote below:-
- In the Blaze.. by Muralidharan Mudaliar
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- Hymn To Death poem – Alfred Austin
- Федор Сологуб – Вильгельм второй
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 20: A woman’s face with Nature’s own hand painted by William Shakespeare
- Sonnet 1: From fairest creatures we desire increase by William Shakespeare
- Sonnet 19: Devouring Time blunt thou the lion’s paws by William Shakespeare
- Sonnet 18: Shall I compare thee to a summer’s day? by William Shakespeare
- Sonnet 17: Who will believe my verse in time to come by William Shakespeare
- Sonnet 16: But wherefore do not you a mightier way by William Shakespeare
- Sonnet 15: When I consider every thing that grows by William Shakespeare
- Sonnet 154: The little Love-god lying once asleep by William Shakespeare
- Sonnet 153: Cupid laid by his brand and fell asleep by William Shakespeare
- Sonnet 152: In loving thee thou know’st I am forsworn by William Shakespeare
- Sonnet 151: Love is too young to know what conscience is by William Shakespeare
- Sonnet 150: O from what power hast thou this powerful might by William Shakespeare
- Sonnet 14: Not from the stars do I my judgement pluck by William Shakespeare
- Sonnet 54: O, how much more doth beauty beauteous seem by William Shakespeare
- Sonnet 53: What is your substance, whereof are you made by William Shakespeare
- Sonnet 52: So am I as the rich whose blessèd key by William Shakespeare
- Sonnet 51: Thus can my love excuse the slow offence by William Shakespeare
- Sonnet 50: How heavy do I journey on the way by William Shakespeare
- Sonnet 4: Unthrifty loveliness, why dost thou spend by William Shakespeare
- Sonnet 49: Against that time, if ever that time come by William Shakespeare
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Parallel Translations of Poetry
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.