A poem by Aeschylus (c. 525 – c. 456 Before Christ )
CASSANDRA
Phoebus Apollo!
CHORUS
Hark!
The lips at last unlocking.
CASSANDRA
Phoebus! Phoebus!
CHORUS
Well, what of Phoebus, maiden? though a name
‘Tis but disparagement to call upon
In misery.
CASSANDRA
Apollo! Apollo! Again!
Oh, the burning arrow through the brain!
Phoebus Apollo! Apollo!
CHORUS
Seemingly
Possessed indeed–whether by–
CASSANDRA
Phoebus! Phoebus!
Through trampled ashes, blood, and fiery rain,
Over water seething, and behind the breathing
War-horse in the darkness–till you rose again,
Took the helm–took the rein–
CHORUS
As one that half asleep at dawn recalls
A night of Horror!
CASSANDRA
Hither, whither, Phoebus? And with whom,
Leading me, lighting me–
CHORUS
I can answer that–
CASSANDRA
Down to what slaughter-house!
Foh! the smell of carnage through the door
Scares me from it–drags me toward it–
Phoebus Apollo! Apollo!
CHORUS
One of the dismal prophet-pack, it seems,
That hunt the trail of blood. But here at fault–
This is no den of slaughter, but the house
Of Agamemnon.
CASSANDRA
Down upon the towers,
Phantoms of two mangled children hover–and a famished man,
At an empty table glaring, seizes and devours!
CHORUS
Thyestes and his children! Strange enough
For any maiden from abroad to know,
Or, knowing–
CASSANDRA
And look! in the chamber below
The terrible Woman, listening, watching,
Under a mask, preparing the blow
In the fold of her robe–
CHORUS
Nay, but again at fault:
For in the tragic story of this House–
Unless, indeed the fatal Helen–No
woman–
CASSANDRA
No Woman–Tisiphone! Daughter
Of Tartarus–love-grinning Woman above,
Dragon-tailed under–honey-tongued, Harpy-clawed,
Into the glittering meshes of slaughter
She wheedles, entices him into the poisonous
Fold of the serpent–
CHORUS
Peace, mad woman, peace!
Whose stony lips once open vomit out
Such uncouth horrors.
CASSANDRA
I tell you the lioness
Slaughters the Lion asleep; and lifting
Her blood-dripping fangs buried deep in his mane,
Glaring about her insatiable, bellowing,
Bounds hither–Phoebus Apollo, Apollo, Apollo!
Whither have you led me, under night alive with fire,
Through the trampled ashes of the city of my sire,
From my slaughtered kinsmen, fallen throne, insulted shrine,
Slave-like to be butchered, the daughter of a royal line!
A few random poems:
- Ольга Высотская – Здравствуй, праздник
- Against Hope
- Жан де Лафонтен – Лисица и Аист
- The Rainy Day by Rabindranath Tagore
- Methought I Saw The Footsteps Of A Throne by William Wordsworth
- Николай Гумилев – О, если я весь мир постиг
- Sonnet On The Death Of Mr Richard West by Thomas Gray
- Федор Тютчев – 23 Fevrier 1861
- My Views of Man by Ronald G. Auguste
- Владимир Британишский – Баня Быстрицкого
- Николай Некрасов – Внимая ужасам войны
- Sonnet 06
- Зинаида Александрова – Молодой месяц
- Alba poem – Ezra Pound poems
- Владимир Корнилов – Жизнь
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Ballade Made In The Hot Weather by William Ernest Henley
- Back-View by William Ernest Henley
- Attadale, West Highlands by William Ernest Henley
- Arabian Night’s Entertainments by William Ernest Henley
- Apparition by William Ernest Henley
- Anterotics by William Ernest Henley
- Andante Con Moto by William Ernest Henley
- Allegro Maestoso by William Ernest Henley
- After by William Ernest Henley
- A Wink From Hesper by William Ernest Henley
- A Desolate Shore by William Ernest Henley
- A Child by William Ernest Henley
- A Bowl Of Roses by William Ernest Henley
- The Swamp Fox by William Gilmore Simms
- The Lost Pleiad by William Gilmore Simms
- The Decay Of A People by William Gilmore Simms
- The Bard by William Gilmore Simms
- The Angel Of The Church by William Gilmore Simms
- Sumter In Ruins by William Gilmore Simms
- Song In March by William Gilmore Simms
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Parallel Translations of Poetry
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.