A poem by Aeschylus (c. 525 – c. 456 Before Christ )
PROMETHEUS (alone)
O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,–
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day’s woe and the coming morrow’s
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul–and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule’s brim, and manward sent
Art’s mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, ‘neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain–
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings–
And all life that approaches I wait for in fear.
A few random poems:
- The Fall by William Barnes
- [Greek Title] by Thomas Hardy
- The End poem – Amy Lowell poems | Poems and Poetry
- The Dunciad: Book IV poem – Alexander Pope
- Alison Gross poem – Andrew Lang poems
- Four Quartets 3: The Dry Salvages by T. S. Eliot
- To the Same poem – John Milton poems
- Paying The Captain by Russell Edson
- Upon A Dying Lady by William Butler Yeats
- Amarene by Rina Ferrarelli
- Autumn by William Morris
- Анатолий Жигулин – Невыразимы сладкой тишью
- This is Love by Jalal ad-Din Muhammad Rumi
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- The Blind Man by Théophile Gautier
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Not out of the running by Margaret Marie Hubbard
- Nevertheless by Marianne Moore
- Nearly A Valediction by Marilyn Hacker
- My Mother’s Body by Marge Piercy
- My Daughter at 14, Christmas Dance, 1981 by Maria Mazziotti Gillan
- Morning News by Marilyn Hacker
- Love Poem to My Husband of Thirty-one Years by Maria Mazziotti Gillan
- Locked Away by Margaret Marie Hubbard
- Labyrinth by Sera Jacob
- Iva’s Pantoum by Marilyn Hacker
- Island-Hearth by M. Ivana Trevisani Bach
- Irish Love Song by Margaret Widdemer
- Invocation by Marilyn Hacker
- If you should tire of loving me by Margaret Widdemer
- I Dream of my Grandmother and Great-Grandmother by Maria Mazziotti Gillan
- I Deserve It by Margaret Marie Hubbard
- Hurry by Marie Howe
- He Made This Screen by Marianne Moore
- Forever Closed by Margaret Marie Hubbard
- For the Young Who Want To by Marge Piercy
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.