A poem by Aeschylus (c. 525 – c. 456 Before Christ )
PROMETHEUS (alone)
O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,–
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day’s woe and the coming morrow’s
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul–and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule’s brim, and manward sent
Art’s mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, ‘neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain–
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings–
And all life that approaches I wait for in fear.
A few random poems:
- Joy of giving by Vinaya Kumar Hanumanthappa
- Oh, see how thick the goldcup flowers poem – A. E. Housman
- Your Dream
- minimalism_and_the_elm_choka.html
- Robert Burns: The Henpecked Husband:
- Sonnet 145: Those lips that Love’s own hand did make by William Shakespeare
- Modern Nature poem – Andrei Voznesensky poems
- Жан де Лафонтен – Дафнис и Алцимадура
- Алексей Ржевский – Прости, Москва
- Old Age Gets Up by Ted Hughes
- Bill ‘Awkins by Rudyard Kipling
- Gwin King of Norway by William Blake
- Early summer rain by Yosa Buson
- Robert Burns: A Dream: Thoughts, words, and deeds, the Statute blames with reason; But surely Dreams were ne’er indicted Treason. On reading, in the public papers, the Laureate’s Ode, with the other parade of June 4th, 1786, the Author was no sooner dropt asleep, than he imagined himself transported to the Birth-day Levee: and, in his dreaming fancy, made the following Address:
- Владимир Набоков – Из мира уползли, и ноют на луне
External links
Bat’s Poetry Page – more poetry by Fledermaus
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Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Apologetic Postscript Of A Year Later by Robert Louis Stevenson
- An English Breeze by Robert Louis Stevenson
- Air Of Diabelli’s by Robert Louis Stevenson
- Ad Se Ipsum by Robert Louis Stevenson
- Ad Quintilianum by Robert Louis Stevenson
- Ad Piscatorem by Robert Louis Stevenson
- Ad Olum by Robert Louis Stevenson
- Ad Nepotem by Robert Louis Stevenson
- Ad Martialem by Robert Louis Stevenson
- Ad Magistrum Ludi by Robert Louis Stevenson
- About The Sheltered Garden Ground by Robert Louis Stevenson
- A Valentine’s Song by Robert Louis Stevenson
- A Thought by Robert Louis Stevenson
- A Good Play by Robert Louis Stevenson
- A Good Boy by Robert Louis Stevenson
- Upon Her Eyes by Robert Herrick
- The Hock-cart, or Harvest Home by Robert Herrick
- To Youth by Robert Herrick
- SOFT MUSIC by Robert Herrick
- The Bride-Cake by Robert Herrick
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.