A poem by Aeschylus (c. 525 – c. 456 Before Christ )
PROMETHEUS (alone)
O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,–
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day’s woe and the coming morrow’s
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul–and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule’s brim, and manward sent
Art’s mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, ‘neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain–
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings–
And all life that approaches I wait for in fear.
A few random poems:
- The Garden by Tammy L. Ames
- Anguish of Fate by Pierre Reverdy
- The Old Gumbie Cat by T. S. Eliot
- On Receiving Hayley’s Picture by William Cowper
- An Argument by Vachel Lindsay
- Жан де Лафонтен – Ласочка в амбаре
- Why England Is Conservative poem – Alfred Austin
- Sleep and Death by William Wycherley
- To A Lady On The Death Of The Three Relations by Phillis Wheatley
- Олег Бундур – Из магазина
- Robert Burns: A Rose-Bud By My Early Walk:
- Mother Earth; Her Beauty And Her Destruction by TMBedell
- A Bucolic Betwixt Two; Lacon and Thyrsis by Robert Herrick
- Obscurity, the Essay and Poems on Obscurity by Abraham Cowley
- Robert Burns: How Long And Dreary Is The Night :
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Makers And Creatures by Vernon Scannell
- Love thy Country and Do a useful Act – Gurazada by Vijay Narayana Chilaka
- Lesson In Grammar by Vernon Scannell
- Juan In Middle Age by Vernon Scannell
- Incendiary by Vernon Scannell
- Human Instrument by Victoria Bukofske
- Early Morning by Victoria Bukofske
- Death In The Lounge Bar by Vernon Scannell
- Ageing Schoolmaster by Vernon Scannell
- A sinners prayer by Victoria Rose
- A quiet storm by Victor A. Bueno M.
- A poodle and a hound by Victoria Rose
- A kiss to the ground by Victoria Rose
- A City Remembered by Vernon Scannell
- A Case Of Murder by Vernon Scannell
- Song IX: Ho Ye Who Seek Saving by William Morris
- Song IV: Draw Near and Behold Me by William Morris
- Song III: It Grew Up Without Heeding by William Morris
- Song II: Have No Thought for Tomorrow by William Morris
- Song I: Though the World Be A-Waning by William Morris
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.