A poem by Aeschylus (c. 525 – c. 456 Before Christ )
PROMETHEUS (alone)
O holy Aether, and swift-winged Winds,
And River-wells, and laughter innumerous
Of yon Sea-waves! Earth, mother of us all,
And all-viewing cyclic Sun, I cry on you,–
Behold me a god, what I endure from gods!
Behold, with throe on throe,
How, wasted by this woe,
I wrestle down the myriad years of Time!
Behold, how fast around me
The new King of the happy ones sublime
Has flung the chain he forged, has shamed and bound me!
Woe, woe! to-day’s woe and the coming morrow’s
I cover with one groan. And where is found me
A limit to these sorrows?
And yet what word do I say? I have foreknown
Clearly all things that should be; nothing done
Comes sudden to my soul–and I must bear
What is ordained with patience, being aware
Necessity doth front the universe
With an invincible gesture. Yet this curse
Which strikes me now, I find it hard to brave
In silence or in speech. Because I gave
Honor to mortals, I have yoked my soul
To this compelling fate. Because I stole
The secret fount of fire, whose bubbles went
Over the ferrule’s brim, and manward sent
Art’s mighty means and perfect rudiment,
That sin I expiate in this agony,
Hung here in fetters, ‘neath the blanching sky.
Ah, ah me! what a sound,
What a fragrance sweeps up from a pinion unseen
Of a god, or a mortal, or nature between,
Sweeping up to this rock where the earth has her bound,
To have sight of my pangs, or some guerdon obtain–
Lo, a god in the anguish, a god in the chain!
The god Zeus hateth sore,
And his gods hate again,
As many as tread on his glorified floor,
Because I loved mortals too much evermore.
Alas me! what a murmur and motion I hear,
As of birds flying near!
And the air undersings
The light stroke of their wings–
And all life that approaches I wait for in fear.
A few random poems:
- He is more than a hero by Sappho
- Robert Burns: The Captive Ribband:
- Testament by Wendell Berry
- He Made This Screen by Marianne Moore
- Others may Praise what They Like. by Walt Whitman
- Нина Воронель – Дан приказ
- Zion by Rudyard Kipling
- Ode To Neptune by Phillis Wheatley
- Robert Burns: Lovely Polly Stewart:
- Юлия Друнина – Чтоб человек от стужи не застыл
- The Meditation Of The Old Fisherman by William Butler Yeats
- Михаил Кузмин – Врезанные в песок заливы
- Anteater by Shel Silverstein
- Владимир Степанов – Зима
- The Gardener XLV: To the Guests by Rabindranath Tagore
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The First Part: Sonnet 10 – Fair Moon, who with thy cold and silver shine by William Drummond
- The First Part: Sonnet 1 – In my first years, and prime yet not at height by William Drummond
- The Editor by William Ellery Leonard
- The Book Of The World by William Drummond
- The Beggar by William Ellery Leonard
- Reading by William Marr
- Premature Blindness by Winston Riley
- May-Night by William Ellery Leonard
- Man’s Knowledge – Ingorance in the Mysteries of God by William Drummond
- Indian Summer by William Ellery Leonard
- In the Small Hours by Wole Soyinka
- In Christ there is No East Or West by John Oxenham
- His Mercy Endureth For Ever by John Oxenham
- Harp Song of the Dane Women by Rudyard Kipling
- God Is Good by John Oxenham
- Gadara, A.D. 31 by John Oxenham
- Freemen by John Oxenham
- Free Men Of God by John Oxenham
- For the Men at the Front by John Oxenham
- Flowers Of The Dust by John Oxenham
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.