Time fly with greater speed away,
Add feathers to thy wings,
Till thy haste in flying brings
That wished-for and expected Day.
Comfort’s Son we then shall see,
Though at first it darkened be
With dangers yet, those clouds but gone,
Our Day will put his lustre on.
Then though Death’s sad night appear,
And we in lonely silence rest;
Our ravish’d Souls no more shall fear,
But with lasting day be blest.
And then no friends can part us more,
Nor no new death extend its power;
Thus there’s nothing can dissever
Hearts which Love hath joined together.
A few random poems:
- Robert Burns: O Leave Novels:
- Василий Казин – Не потому ль к любви вселенской
- Sonnet 135: Whoever hath her wish, thou hast thy will by William Shakespeare
- Epithalamion poem – Gerard Manley Hopkins poems
- The Tour by Sylvia Plath
- The Innocent Ill
- Иннокентий Анненский – Листы
- Владимир Корнилов – Дождь обычный
- Your souls are ours by Philo Ikonya
- Николай Карамзин – К портрету Ломоносова
- Владимир Маяковский – Сказка про купцову нацию, мужика и кооперацию
- The Ballad of the King’s Mercy by Rudyard Kipling
- Waking in the Blue by Robert Lowell
- Ballad of the Old Cypress by Tu Fu
- To E. Fitzgerald: Tiresias poem – Lord Alfred Tennyson poems
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 76: Why is my verse so barren of new pride? by William Shakespeare
- Sonnet 75: So are you to my thoughts as food to life by William Shakespeare
- Sonnet CVIII by William Shakespeare
- Sonnet CVII: Not Mine Own Fears, Nor the Prophetic Soul by William Shakespeare
- Sonnet CVII by William Shakespeare
- Sonnet CVI by William Shakespeare
- Sonnet CV by William Shakespeare
- Sonnet CLIV by William Shakespeare
- Sonnet CLIII by William Shakespeare
- Sonnet CLII by William Shakespeare
- Sonnet CLI by William Shakespeare
- Sonnet CL by William Shakespeare
- Sonnet CIX by William Shakespeare
- Sonnet CIV by William Shakespeare
- Sonnet CIII by William Shakespeare
- Sonnet CII by William Shakespeare
- Sonnet CI by William Shakespeare
- Sonnet C by William Shakespeare
- Sonnet 9: Is it for fear to wet a widow’s eye by William Shakespeare
- Sonnet 98: From you have I been absent in the spring by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.