AH! what advice can I receive!
No, satisfy me first;
For who would physick-potions give
To one that dies with thirst?
A little puff of breath, we find,
Small fires can quench and kill;
But, when they’re great, the adverse wind
Does make them greater still.
Now whilst you speak, it moves me much,
But straight I’m just the same;
Alas! th’ effect must needs be such
Of cutting through a flame.
A few random poems:
- Never Bite A Married Woman On The Thigh by Shel Silverstein
- Василий Жуковский – К Дмитриеву (Нет, не прошла)
- The end by Mahak Raithatha S
- The Candle Indoors poem – Gerard Manley Hopkins poems
- A Manual, More Ancient Than The Art Of Printing, And Not To Be Found In Any Catalogue by William Cowper
- Robert Burns: Ye Jacobites By Name:
- If Thou Could’st Empty All Thyself Of Self by Thomas Edward Brown
- Boa Constrictor by Shel Silverstein
- Answer To A Sonnet By J.H.Reynolds poem – John Keats poems
- See, how I love you by Vinko Kalinić
- The Dowie Dens Of Yarrow poem – Andrew Lang poems
- Love’s Confession poem – Yuvraj Johri poems | Poetry Monster
- My Search by Renu Ayyar
- Epitaph On An Army of Mercenaries poem – A. E. Housman
- Robert Burns: The Captive Ribband:
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Омар Хайям – Думал я, что верны обещанья твои
- Омар Хайям – Друзей поменьше
- Омар Хайям – Друг, умей от пустой суеты отличать
- Омар Хайям – Друг, два понятия должен бы ты затвердить
- Омар Хайям – Долго ль спину придется мне гнуть или нет
- Омар Хайям – Долго ль будешь скорбеть и печалиться, друг
- Омар Хайям – До того, как мы чашу судьбы изопьем
- Омар Хайям – До коих пор униженный позор терпеть
- Омар Хайям – Для тех, кто умирает
- Омар Хайям – День прошел, и о нем позабудь поскорей
- Омар Хайям – День каждый услаждай вином
- Омар Хайям – Даже с самой прекрасной из милых подруг
- Омар Хайям – Дай мне влаги хмельной, укрепляющей дух
- Омар Хайям – Дай коснуться, любимая, прядей густых
- Омар Хайям – Да пребудет вино неразлучно с тобой
- Омар Хайям – Цветам и запахам владеть тобой доколе
- Омар Хайям – Что жизнь
- Омар Хайям – Что я дружу с вином, не отрицаю, нет
- Омар Хайям – Что плоть твоя, Хайям?
- Омар Хайям – Что меня ожидает, неведомо мне
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.