Underneath this marble stone,
Lie two beauties joyn’d in one.
Two whose loves, death could not sever,
For both liv’d, both dy’d together.
Two whose soules, being too divine
For earth, in their own spheare now shine,
Who have left their loves to Fame,
And their earth to earth againe.
A few random poems:
- Robert Burns: Awa’ Whigs, Awa’:
- Mark Twain and Joan of Arc by Vachel Lindsay
- Drum-Taps. by Walt Whitman
- A Father’s Hands by Scott Ransopher
- English Poetry. Philip James Bailey. Festus – 41. Филип Джеймс Бэйли.
- К той, что названа Кариной
- The Neighbor by Marge Piercy
- Industrial Lace poem – Alice Fulton poems | Poetry Monster
- The Forsaken by William Wordsworth
- English Poetry. George Eliot. How Lisa Loved the King. Джордж Элиот.
- So Long! by Precious Tahula
- A man feared that he might find an assassin by Stephen Crane
- Robert Burns: Tam Samson’s Elegy: When this worthy old sportman went out, last muirfowl season, he supposed it was to be, in Ossian’s phrase, “the last of his fields,” and expressed an ardent wish to die and be buried in the muirs. On this hint the author composed his elegy and epitaph.-R.B., 1787.
- Main to piya say naina lada aayi ray poem – Amir Khusro poems | Poems and Poetry
- Алексей Толстой – Уж ласточки, кружась, над крышей щебетали
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Михаил Кузмин – Живется нам не плохо
- Михаил Кузмин – Зеленая птичка
- Михаил Кузмин – Запел петух, таинственный предвестник
- Михаил Кузмин – Заключение (Водительница Одигитрия)
- Михаил Кузмин – Зачем в тот вечер роковой
- Михаил Кузмин – Зачем копье Архистратига
- Михаил Кузмин – Я знаю вас не понаслышке
- Михаил Кузмин – Выздоравливающей
- Михаил Кузмин – Вы молчаливо-нежное дитя
- Михаил Кузмин – Вы белое бургундское вино
- Михаил Кузмин – Второй свидетель
- Михаил Кузмин – Все дни у Бога хороши
- Михаил Кузмин – Врезанные в песок заливы
- Михаил Кузмин – Врач мудрый нам открыл секрет природы
- Михаил Кузмин – Возвращение
- Михаил Кузмин – Возможно ль: скоро четверть века
- Михаил Кузмин – Вот после ржавых львов и рева
- Михаил Кузмин – В саду
- Михаил Кузмин – В раскосый блеск зеркал забросив сети
- Михаил Кузмин – В ранний утра час покидал Милет я
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.