A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.

A few random poems:
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- Francesca poem – Ezra Pound poems
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Further Instructions poem – Ezra Pound poems
- Epilogue poem – Ezra Pound poems
- Ezra on the Strike poem – Ezra Pound poems
- Francesca poem – Ezra Pound poems
- Grace Before Song poem – Ezra Pound poems
- Hugh Selwyn Mauberly (Part I) poem – Ezra Pound poems
- In the Old Age of the Soul poem – Ezra Pound poems
- And the days are not full enough poem – Ezra Pound poems
- Canto XIII poem – Ezra Pound poems
- Canto XLIX poem – Ezra Pound poems
- Alba poem – Ezra Pound poems
- Ballad of the Goodly Fere poem – Ezra Pound poems
- E.P. Ode Pour L’election De Son Sepulchre poem – Ezra Pound poems
- Ancient Music poem – Ezra Pound poems
- Cino poem – Ezra Pound poems
- A Pact poem – Ezra Pound poems
- Before Sleep poem – Ezra Pound poems
- An Immorality poem – Ezra Pound poems
- In A Station Of The Metro poem – Ezra Pound poems
- poem6474.html
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.