A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.

A few random poems:
- Impromptu: To Frances Garnet Wolseley poem – Alfred Austin
- The Fading Flower by Will McKendree Carleton
- Conversation Among The Ruins by Sylvia Plath
- Fairy Land v by William Shakespeare
- Skunk Hour by Robert Lowell
- Half The People In The World by Yehuda Amichai
- The Death Of Huss poem – Alfred Austin
- St. Andrew’s Bay poem – Andrew Lang poems
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- love.html
- lord_god_have_mercy_on_me.html
- libation.html
- least_in_a_list.html
- interpret_the_light.html
- innocence.html
- in_the_stone_i_rooted.html
- in_between_the_strophes.html
- human_joys.html
- human_charms.html
- he_who_creates_re_creates_himself.html
- hai_kou_unpublished.html
- hai_kou.html
- greek_light.html
- greece.html
- golden_eangle.html
- gesture_theory_a_villanelle.html
- gem_immortality.html
- fruit_leaf_roots_flowers.html
- first_verse.html
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.