A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.
A few random poems:
- Earth-Moon by Ted Hughes
- Free the Holy Land — a poem about Palestine
- Robert Burns: On Being Shewn A Beautiful Country Seat : Belonging to the same Laird [not quite so wise as Solomon].
- Владимир Британишский – Перед дверью
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- Going Back to School by Stephen Vincent Benet
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- Endless Time by Rabindranath Tagore
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- The Twelve poem – Aleksandr Blok poems | Poetry Monster
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- The Dawn Of American Literature
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- first_light.html
- excerpt_from_the_quotgertrude_steinquot_collaborative_series.html
- eudaemonism_in_a_senryu_novel.html
- drunkenness.html
- do_not_get_angry.html
- dickinson_and_the_alabaster_gogyohka.html
- dawned_again.html
- create.html
- conference_swan_beauty.html
- colors_and_sounds.html
- children039s_eyes.html
- athens_stone_of_sapphire_of_ground_the_ring.html
- as_with_recitation_and_the_loss_of_a_kuhi.html
- antediluvian_kural_on_twitter.html
- alexander.html
- acts_of_love.html
- a_single_man.html
- a_poem.html
- a_dialogue.html
- a_city_one_wish.html
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.