A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.

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- Dream-Forest by Siegfried Sassoon
- Cascando by Samuel Beckett
- In A Wood by Thomas Hardy
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- everything is a lie by tulip
- Dreaming of Li Po by Tu Fu
- Day’s End by Tu Fu
- Can You See The Pride In The Panther? by Tupac Shakur
- By the Lake by Tu Fu
- Ballad of the Old Cypress by Tu Fu
- Ballad of the Army Carts by Tu Fu
- Ballad Of The Press-Gang At Shihao Village by Du Fu
- Aphrodite – The Birth by Uma Maheswari Anandane
- Alone, Looking for Blossoms Along the River by Tu Fu
- Yet Gentle Will the Griffin Be by Vachel Lindsay
- Yankee Doodle by Vachel Lindsay
- Written for a Musician by Vachel Lindsay
- With a Bouquet of Twelve Roses by Vachel Lindsay
- Why I Voted the Socialist Ticket by Vachel Lindsay
- Who Knows? by Vachel Lindsay
- Where Is the Real Non-Resistant by Vachel Lindsay
- Where Is David, the Next King of Israel? by Vachel Lindsay
- When Gassy Thompson Struck It Rich by Vachel Lindsay
- When Bryan Speaks by Vachel Lindsay
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.