A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.

A few random poems:
- Высоцкий – Диалог у телевизора (Ой, Вань, смотри какие клоуны): текст стиха Владимира Высоцкого – Poetry Monster
- The Gadfly poem – John Keats poems
- The Palace
- In An Underground Dressing Station by Siegfried Sassoon
- There is a Community of Spirit by Jalal ad-Din Muhammad Rumi
- Владимир Набоков – Будь со мной прозрачнее и проще
- Mrs. Mouse has glasses by R. L. KARLOWSKY
- Наум Коржавин – Наверно, я не так на свете жил
- I’ll go and be a Sodger by Robert Burns
- Forced by Mayank Sharma
- Before by Robert Browning
- Release by Marie Starr
- Владимир Высоцкий – Сказка о несчастных сказочных персонажах
- What a Glow Everywhere I see – Aaj Rung Hai poem – Amir Khusro poems | Poems and Poetry
- Street Circus poem – Aleksandr Blok poems | Poetry Monster
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Aubade by William Shakespeare
- A Lover’s Complaint by William Shakespeare
- A Fairy Song by William Shakespeare
- Sonnet 128: How oft, when thou, my music, music play’st by William Shakespeare
- Sonnet 149: Canst thou, O cruel, say I love thee not by William Shakespeare
- Sonnet 148: O me! what eyes hath love put in my head by William Shakespeare
- Sonnet 147: My love is as a fever, longing still by William Shakespeare
- Sonnet 146: Poor soul, the centre of my sinful earth by William Shakespeare
- Sonnet 145: Those lips that Love’s own hand did make by William Shakespeare
- Sonnet 144: Two loves I have, of comfort and despair by William Shakespeare
- Sonnet 143: Lo, as a careful huswife runs to catch by William Shakespeare
- Sonnet 142: Love is my sin, and thy dear virtue hate by William Shakespeare
- Sonnet 141: In faith, I do not love thee with mine eyes by William Shakespeare
- Sonnet 140: Be wise as thou art cruel; do not press by William Shakespeare
- Sonnet 13: O, that you were your self! But, love, you are by William Shakespeare
- Sonnet 138: When my love swears that she is made of truth by William Shakespeare
- Sonnet 137: Thou blind fool, Love, what dost thou to mine eyes by William Shakespeare
- Sonnet 136: If thy soul check thee that I come so near by William Shakespeare
- Sonnet 135: Whoever hath her wish, thou hast thy will by William Shakespeare
- Sonnet 134: So, now I have confessed that he is thine by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.