A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.
A few random poems:
- Apathy by Shailendra Chauhan
- Василий Курочкин – Двуглавый орел
- To Captain H—–d, of the 65th Regiment by Phillis Wheatley
- Astrophel and Stella: III by Sir Philip Sidney
- Song—She’s Fair and Fause by Robert Burns
- Old Tom Again by William Butler Yeats
- Николай Глазков – Поэтоград
- “O you, far colder, whiter” by Torquato Tasso
- My Miracle Valentine by Tirtha Raj Baral (Sanu Punatare)
- Владимир Маяковский – Расчистка пути (РОСТА)
- epitaph_for_our_children.html
- Ольга Берггольц – Твоя молодость
- On The Morning Of Christs Nativity poem – John Milton poems
- Imitation Of Spenser poem – John Keats poems
- The Fall by Satish Verma
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 20: A woman’s face with Nature’s own hand painted by William Shakespeare
- Sonnet 1: From fairest creatures we desire increase by William Shakespeare
- Sonnet 19: Devouring Time blunt thou the lion’s paws by William Shakespeare
- Sonnet 18: Shall I compare thee to a summer’s day? by William Shakespeare
- Sonnet 17: Who will believe my verse in time to come by William Shakespeare
- Sonnet 16: But wherefore do not you a mightier way by William Shakespeare
- Sonnet 15: When I consider every thing that grows by William Shakespeare
- Sonnet 154: The little Love-god lying once asleep by William Shakespeare
- Sonnet 153: Cupid laid by his brand and fell asleep by William Shakespeare
- Sonnet 152: In loving thee thou know’st I am forsworn by William Shakespeare
- Sonnet 151: Love is too young to know what conscience is by William Shakespeare
- Sonnet 150: O from what power hast thou this powerful might by William Shakespeare
- Sonnet 14: Not from the stars do I my judgement pluck by William Shakespeare
- Sonnet 54: O, how much more doth beauty beauteous seem by William Shakespeare
- Sonnet 53: What is your substance, whereof are you made by William Shakespeare
- Sonnet 52: So am I as the rich whose blessèd key by William Shakespeare
- Sonnet 51: Thus can my love excuse the slow offence by William Shakespeare
- Sonnet 50: How heavy do I journey on the way by William Shakespeare
- Sonnet 4: Unthrifty loveliness, why dost thou spend by William Shakespeare
- Sonnet 49: Against that time, if ever that time come by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.