A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.
A few random poems:
- In Praise of Songs that Die by Vachel Lindsay
- Couplet 1 poem – Amir Khusro poems | Poems and Poetry
- Epigram to Miss Jean Scott by Robert Burns
- Give me a doctor by W H Auden
- Василий Курочкин – Казацкие стихотворения
- Огюст Барбье – Кьяйя
- Алишер Навои – О сердце, столько на земле
- At His Grave poem – Alfred Austin
- Владимир Маяковский – Разве у вас не чешутся обе лопатки
- L’Après-Midi D’un Faune poem – Aldous Huxley poems | Poetry Monster
- Robert Burns: On A Henpecked Country Squire:
- Depths
- A prayer to the Wind by Thomas Carew
- The Mantra-Yoga poem – Aleister Crowley poems | Poetry Monster
- The Bridge by Russell Edson
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 71: No longer mourn for me when I am dead by William Shakespeare
- Sonnet 70: That thou art blamed shall not be thy defect by William Shakespeare
- Sonnet 6: Then let not winter’s ragged hand deface by William Shakespeare
- Sonnet 69: Those parts of thee that the world’s eye doth view by William Shakespeare
- Sonnet 68: Thus is his cheek the map of days outworn by William Shakespeare
- Sonnet 67: Ah, wherefore with infection should he live by William Shakespeare
- Sonnet 66: Tired with all these, for restful death I cry by William Shakespeare
- Sonnet 65: Since brass, nor stone, nor earth, nor boundless sea by William Shakespeare
- Sonnet 64: When I have seen by Time’s fell hand defaced by William Shakespeare
- Sonnet 63: Against my love shall be, as I am now by William Shakespeare
- Sonnet 62: Sin of self-love possesseth all mine eye by William Shakespeare
- Sonnet 61: Is it thy will thy image should keep open by William Shakespeare
- Sonnet 60: Like as the waves make towards the pebbled shore by William Shakespeare
- Sonnet 5: Those hours, that with gentle work did frame by William Shakespeare
- Sonnet 59: If there be nothing new, but that which is by William Shakespeare
- Sonnet 58: That god forbid, that made me first your slave by William Shakespeare
- Sonnet 57: Being your slave, what should I do but tend by William Shakespeare
- Sonnet 56: Sweet love, renew thy force, be it not said by William Shakespeare
- Sonnet 55: Not marble, nor the gilded monuments by William Shakespeare
- Sonnet 95: How sweet and lovely dost thou make the shame by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.