A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Bereavement by William Lisle Bowles
- Beautiful Aberfoyle by William Topaz McGonagall
- Balmoral Castle by William Topaz McGonagall
- An Ode in Time of Hesitation by William Vaughn Moody
- An Excursion Steamer Sunk in the Tay by William Topaz McGonagall
- An Address to the New Tay Bridge by William Topaz McGonagall
- An Address to Shakespeare by William Topaz McGonagall
- All Kinds by William Wright Harris
- A Welcome by William Browne
- A Soldier’s Reprieve by William Topaz McGonagall
- A Requisition to the Queen by William Topaz McGonagall
- A Poetry Reading At West Point by William Matthews
- A Grey Day by William Vaughn Moody
- I see the Four-fold Man by William Blake
- An Imitation of Spenser by William Blake
- Gwin King of Norway by William Blake
- Intorduction to the Songs of Experience by William Blake
- Fair Elanor by William Blake
- England! awake! awake! awake! by William Blake
- I Rose Up at the Dawn of Day by William Blake
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.