A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.
A few random poems:
- Trial by Ruth Padel
- Robert Burns: Halloween: The following poem will, by many readers, be well enough understood; but for the sake of those who are unacquainted with the manners and traditions of the country where the scene is cast, notes are added to give some account of the principal charms and spells of that night, so big with prophecy to the peasantry in the west of Scotland. The passion of prying into futurity makes a striking part of the history of human nature in its rude state, in all ages and nations; and it may be some entertainment to a philosophic mind, if any such honour the author with a perusal, to see the remains of it among the more unenlightened in our own.-R.B.
- Memorials Of A Tour In Scotland, by William Wordsworth
- Your choice by Mrunmayi Mandan
- Pad, Pad by Stevie Smith
- The Silkworm by William Cowper
- The French And the Spanish Guerillas by William Wordsworth
- The Coach Of Life poem – Alexander Pushkin
- Lover’s Gifts V: I Would Ask For Still More by Rabindranath Tagore
- On the Road to Nowhere by Vachel Lindsay
- Robert Burns: My Collier Laddie:
- The Messiah : A Sacred Eclogue poem – Alexander Pope poems | Poetry Monster
- Федор Сологуб – Ах, лягушки по дорожке
- A New Psalm for the Chapel of Kilmarnock by Robert Burns
- Song of the Indian Maid, from ‘Endymion’ poem – John Keats poems
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Владимир Высоцкий – Песня Кэрролла
- Владимир Высоцкий – Песня Алисы
- Владимир Высоцкий – Песенка про ребёнка-поросёнка
- Владимир Высоцкий – Песенка-представление орлёнком Эдом Атаки Гризли
- Владимир Высоцкий – В плен, приказ, не сдаваться
- Владимир Высоцкий – В младенчестве нас матери пугали
- Владимир Высоцкий – В куски разлетелася корона
- Владимир Высоцкий – В этом доме большом раньше пьянка была
- Владимир Высоцкий – В далёком созвездии Тау Кита
- Владимир Высоцкий – В белье плотной вязки
- Владимир Высоцкий – Утренняя гимнастика
- Владимир Высоцкий – Упрямо я стремлюсь ко дну
- Владимир Высоцкий – Ублажаю ли душу романсом
- Владимир Высоцкий – У профессиональных игроков
- Владимир Высоцкий – У нас вчера с позавчера
- Владимир Высоцкий – У Наполеона Ватерлоо есть хотя б
- Владимир Высоцкий – У меня было сорок фамилий
- Владимир Высоцкий – У Доски, где почётные граждане
- Владимир Высоцкий – Тюменская нефть
- Владимир Высоцкий – Тот, кто раньше с нею был
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.