A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The man who rightly acts without coercion
Will not be grieved, can never wholly sink in wretchedness;
While the lawless criminal is forcibly dragged under
In the current of time when from the shattered mast
The elements rip down his sails.
He shouts, there is no ear to hear him
Struggling, hopeless, at the maelstrom’s center.
Gods laugh at the transgressor now,
Watching him, his pride now wrecked,
Caught in desperation’s shackles.
He flees the rocks in vain;
His fortunes smash on retribution’s reef
And, unmourned, he is engulfed.
A few random poems:
- Mowgli’s Song Against People by Rudyard Kipling
- Robert Burns: Phillis The Fair:
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: Come, Let Me Take Thee To My Breast:
- Robert Burns: Phillis The Queen O’ The Fair:
- Robert Burns: Whistle, And I’ll Come To You, My Lad:
- Robert Burns: By Allan Stream:
- Robert Burns: Had I A Cave:
- Robert Burns: Phillis The Fair:
- Robert Burns: Epigram On The Laird Of Laggan:
- Robert Burns: Epigrams Against The Earl Of Galloway:
- Robert Burns: Epitaph On A Lap-Dog Named Echo:
- Robert Burns: Bonie Jean-A Ballad:
- Robert Burns: O Were My Love Yon Lilac Fair:
- Robert Burns: Blythe Hae I been On Yon Hill:
- Robert Burns: Logan Braes:
- Robert Burns: The Last Time I Came O’er The Moor:
- Robert Burns: Impromptu On General Dumourier’s Desertion From The French Republican Army:
- Robert Burns: Grace Before And After Meat :
- Robert Burns: Grace After Meat:
- Robert Burns: Extempore Reply To An Invitation:
- Robert Burns: Kirk and State Excisemen:
- Robert Burns: The Raptures Of Folly:
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.