A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
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- Владимир Маяковский – Подлиза
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Not the Pilot. by Walt Whitman
- Not My Enemies Ever Invade Me. by Walt Whitman
- Not Heaving from My Ribb’d Breast Only. by Walt Whitman
- Not Heat Flames up and Consumes. by Walt Whitman
- No Labor-Saving Machine. by Walt Whitman
- Night on The Prairies. by Walt Whitman
- Native Moments. by Walt Whitman
- Mystic Trumpeter, The. by Walt Whitman
- Myself and Mine. by Walt Whitman
- My Picture-Gallery. by Walt Whitman
- Mother and Babe. by Walt Whitman
- Miracles. by Walt Whitman
- Mediums. by Walt Whitman
- Me Imperturbe. by Walt Whitman
- Mannahatta. by Walt Whitman
- Manhattan Streets I Saunter’d, Pondering. by Walt Whitman
- Look Down, Fair Moon. by Walt Whitman
- Longings for Home. by Walt Whitman
- Long, too Long, O Land! by Walt Whitman
- Long I Thought that Knowledge. by Walt Whitman
More external links (open in a new tab):
Doska or the Board – write anything
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.