A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Merging, Emerging by Shahida Latif
- Men by Maya Angelou
- Little Clock by T. Wignesan
- Let me Count the Poets Left by Michael K. Shiu
- Last Turn Of The Morning Carousel/Forever Turn The Midnight Carousel by Matthew Abuelo
- kaleidoscopic whorled wide web. by matthew scott harris
- Kailangan ko’y Yakap by Melissa Sazon Flores
- It Asked a Crumb of Me by Michael K. Shiu
- Insomniac by Maya Angelou
- initial mother’s day eve by matthew scott harris
- In the Park by Maxine Kumin
- Illusion by Mercedes Madrigal
- I Know From my Bed by Michael Lee Johnson
- Humankind – How Limitless In Genius by Michael Levy
- How Am I? by Matt Bohart
- Haunted by you by Melissa Skelton
- Forced by Mayank Sharma
- Forbidden Fruit by Michael Lally
- Follies of War by Michael Levy
- Eve- Song by Mary Gilmore
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
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Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.