A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
- Crowride poem – A. R. Ammons poems | Poetry Monster
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- Владимир Маяковский – Пожарные лозунги (1928)
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- Man And The Echo by William Butler Yeats
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Coal-Truck by T. Wignesan
- Cinderella by Roald Dahl
- blessing for sound health by matthew scott harris
- Black Lake by Memphis Knight
- Before The Law by Michael Major
- A Conceit by Maya Angelou
- A Rythm Upon Our Trusts by Michael McGovern
- Your Poems on My Patio by Martina Reisz Newberry
- Yesterday’s Mishaps by Mary Etta Metcalf
- Yes Dear by Mary Etta Metcalf
- Words Unspoken by Mark Olynyk
- Woman With Parasol by Martin Willitts Jr.
- Why Write? by Mark Olynyk
- Where Have We All Gone by Mary Etta Metcalf
- What is Poetry? by Mark Olynyk
- Wednesday by Marvin Bell
- To Sea by Martin Zakovski
- To Dorothy by Marvin Bell
- They Thought Her Crazy by Mary Etta Metcalf
- These Green-Going-to-Yellow by Marvin Bell
More external links (open in a new tab):
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.