A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
- Tears, Idle Tears poem – Lord Alfred Tennyson poems
- Epitaph On An Infant. by Samuel Taylor Coleridge
- Reply to a Trimming Epistle, received from a Tailor by Robert Burns
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Apologetic Postscript Of A Year Later by Robert Louis Stevenson
- An English Breeze by Robert Louis Stevenson
- Air Of Diabelli’s by Robert Louis Stevenson
- Ad Se Ipsum by Robert Louis Stevenson
- Ad Quintilianum by Robert Louis Stevenson
- Ad Piscatorem by Robert Louis Stevenson
- Ad Olum by Robert Louis Stevenson
- Ad Nepotem by Robert Louis Stevenson
- Ad Martialem by Robert Louis Stevenson
- Ad Magistrum Ludi by Robert Louis Stevenson
- About The Sheltered Garden Ground by Robert Louis Stevenson
- A Valentine’s Song by Robert Louis Stevenson
- A Thought by Robert Louis Stevenson
- A Good Play by Robert Louis Stevenson
- A Good Boy by Robert Louis Stevenson
- Upon Her Eyes by Robert Herrick
- The Hock-cart, or Harvest Home by Robert Herrick
- To Youth by Robert Herrick
- SOFT MUSIC by Robert Herrick
- The Bride-Cake by Robert Herrick
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.