A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- A Cliff Dwelling by Robert Frost
- A Brook in the City by Robert Frost
- A Boundless Moment by Robert Frost
- The Easter Egg Hunt by Roger Turner
- Nikolai Gumilev –
- The Land of Counterpane by Robert Louis Stevenson
- Come, My Beloved, Hear From Me by Robert Louis Stevenson
- Come, Here Is Adieu To The City by Robert Louis Stevenson
- Come From The Daisied Meadows by Robert Louis Stevenson
- Block City by Robert Louis Stevenson
- Behold, As Goblins Dark Of Mien by Robert Louis Stevenson
- Before This Little Gift Was Come by Robert Louis Stevenson
- Away With Funeral Music by Robert Louis Stevenson
- Autumn Fires by Robert Louis Stevenson
- Auntie’s Skirts by Robert Louis Stevenson
- At the Sea-Side by Robert Louis Stevenson
- At Last She Comes by Robert Louis Stevenson
- As One Who Having Wandered All Night Long by Robert Louis Stevenson
- As In Their Flight The Birds Of Song by Robert Louis Stevenson
- Armies in the Fire by Robert Louis Stevenson
More external links (open in a new tab):
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.