A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Paris In Spring by Sara Teasdale
- Over The Roofs by Sara Teasdale
- Only In Sleep by Sara Teasdale
- On The Dunes by Sara Teasdale
- On The Death Of Swinburne by Sara Teasdale
- Oh Day Of Fire And Sun by Sara Teasdale
- Night Song At Amalfi by Sara Teasdale
- Night In Arizona by Sara Teasdale
- New Year’s Dawn – Broadway by Sara Teasdale
- Madeira From The Sea by Sara Teasdale
- Love In Autumn by Sara Teasdale
- Less Than The Cloud To The Wind by Sara Teasdale
- Interlude: Songs Out Of Sorrow by Sara Teasdale
- In The Train by Sara Teasdale
- In The Metropolitan Museum by Sara Teasdale
- In The End by Sara Teasdale
- Night Song At Amalfi by Sara Teasdale
- In the Carpenter’s Shop by Sara Teasdale
- Night In Arizona by Sara Teasdale
- In Spring, Santa Barbara by Sara Teasdale
More external links (open in a new tab):
Doska or the Board – write anything
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Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.