A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
- The Hollow Men by T. S. Eliot
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- On A Battered Beauty (From The Greek) by William Cowper
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- Inscribed on a Work of Hannah More’s by Robert Burns
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- The Starling poem – Amy Lowell poems | Poems and Poetry
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Fault by Sara Teasdale
- Enough by Sara Teasdale
- Dust by Sara Teasdale
- Doubt by Sara Teasdale
- Did You Never Know? by Sara Teasdale
- Debt by Sara Teasdale
- Come by Sara Teasdale
- But Not To Me by Sara Teasdale
- Buried Love by Sara Teasdale
- Blue Squills by Sara Teasdale
- Because by Sara Teasdale
- Barter by Sara Teasdale
- At Midnight by Sara Teasdale
- Alone by Sara Teasdale
- After Parting by Sara Teasdale
- After Love by Sara Teasdale
- A November Night by Sara Teasdale
- A Cry by Sara Teasdale
- To Youth by Sarojini Naidu
- The Soul’s Prayer by Sarojini Naidu
More external links (open in a new tab):
Doska or the Board – write anything
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Ecosia – a search engine that supposedly… plants trees
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.