A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.

A few random poems:
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- Sonnet 1: From fairest creatures we desire increase by William Shakespeare
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Indian Dancers by Sarojini Naidu
- Indian Dancer by Sarojini Naidu
- In The Forest by Sarojini Naidu
- In Salutation to the Eternal Peace by Sarojini Naidu
- In Praise Of Henna by Sarojini Naidu
- Humayun To Zobeida (From the Urdu) by Sarojini Naidu
- Harvest Hymn by Sarojini Naidu
- Ecstasy by Sarojini Naidu
- Damayante To Nala In The Hour Of Exile by Sarojini Naidu
- Cradle Song by Sarojini Naidu
- Coromandel Fishers by Sarojini Naidu
- Corn Grinders by Sarojini Naidu
- Autumn Song by Sarojini Naidu
- An Indian Love Song by Sarojini Naidu
- Alabaster by Sarojini Naidu
- A Rajput Love Song by Sarojini Naidu
- A Love Song from the North by Sarojini Naidu
- Wishes by Satish Verma
- WINGS ATTACHED by Satish Verma
- WHAT ENDING by Satish Verma
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.