A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Slant by Stephen Dunn
- Poem For People That Are Understandably Too Busy To Read Poetry by Stephen Dunn
- Named by Stephen Dunn
- Landscape At The End Of The Century by Stephen Dunn
- I Come Home Wanting To Touch Everyone by Stephen Dunn
- Essay On The Personal by Stephen Dunn
- Biography In The First Person by Stephen Dunn
- At The Smithville Methodist Church by Stephen Dunn
- Allegory Of The Cave by Stephen Dunn
- The White Peacock by Stephen Vincent Benet
- The Quality of Courage by Stephen Vincent Benet
- The Innovator by Stephen Vincent Benet
- The Hemp by Stephen Vincent Benet
- The General Public by Stephen Vincent Benet
- The Fiddling Wood by Stephen Vincent Benet
- The Drug-Shop, or, Endymion in Edmonstoun by Stephen Vincent Benet
- The City Revisited by Stephen Vincent Benet
- The Breaking Point by Stephen Vincent Benet
- Talk by Stephen Vincent Benet
- Road and Hills by Stephen Vincent Benet
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.