A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.

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- Silence by Marianne Moore
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- The Dunciad: Book I. poem – Alexander Pope poems | Poetry Monster
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Incurious Bencher by William Somervile
- The Hip by William Somervile
- The Happy Lunatic by William Somervile
- The Frog’s Choice by William Somervile
- The Dog and the Bear by William Somervile
- The Devil Outwitted by William Somervile
- The Coquette by William Somervile
- The Captive Trumpeter by William Somervile
- The Busy Indolent by William Somervile
- The Bowling-Green by William Somervile
- The Bald-Pated Welshman and the Fly by William Somervile
- Song by William Somervile
- On Presenting to a Lady a White Rose and a Red on the Tenth of June by William Somervile
- On Miranda’s Leaving the Country by William Somervile
- Mahomet Ali Beg; Or, the Faithful Minister of State by William Somervile
- Liberty, and Love; or, the Two Sparrows by William Somervile
- Hunting Song by William Somervile
- Hudibras and Milton Reconciled by William Somervile
- Hobbinol; or The Rural Games by William Somervile
- Hobbinol; or The Rural Games – Canto 3 by William Somervile
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.