Life’s a name
That nothing here can truly claim;
This wretched inn, where we scarce stay to bait,
We call our dwelling-place!
And mighty voyages we take,
And mighty journeys seem to make,
O’er sea and land, the little point that has no space.
Because we fight and battles gain,
Some captives call, and say, “the rest are slain”;
Because we heap up yellow earth, and so
Rich, valiant, wise, and virtuous seem to grow;
Because we draw a long nobility
From hieroglyphic proofs of heraldry-
We grow at last by Custom to believe,
That really we Live;
Whilst all these Shadows, that for Things we take,
Are but the empty Dreams which in Death’s sleep we make.

A few random poems:
- September 1815 by William Wordsworth
- The Faithless Shadows. poem – Aleksandr Blok poems | Poetry Monster
- Colbert Report: Australia by Raj Arumugam
- Army Headquarters by Rudyard Kipling
- My Heart Screams by Roberto Cocina
- Ho, everyone that thirsteth poem – A. E. Housman
- Mahomet Ali Beg; Or, the Faithful Minister of State by William Somervile
- At Galway Races by William Butler Yeats
- The Explorer by Rudyard Kipling
- Shattered Head
- Listening poem – Amy Lowell poems | Poems and Poetry
- The Naming Of Cats by T. S. Eliot
- Robert Burns: The Lass O’ Ballochmyle:
- It Would poem – Alice Notley
- long_i_waited_in_vain.html
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Return Of The Heroes by Siegfried Sassoon
- In An Underground Dressing Station by Siegfried Sassoon
- Return Of The Heroes by Siegfried Sassoon
- Grandeur Of Ghosts by Siegfried Sassoon
- Prelude: The Troops by Siegfried Sassoon
- On Passing The New Menin Gate by Siegfried Sassoon
- In An Underground Dressing Station by Siegfried Sassoon
- Grandeur Of Ghosts by Siegfried Sassoon
- ‘Blighters’ by Siegfried Sassoon
- At The Cenotaph by Siegfried Sassoon
- Wraiths by Siegfried Sassoon
- Wraiths by Siegfried Sassoon
- Wonderment by Siegfried Sassoon
- Wisdom by Siegfried Sassoon
- Wirers by Siegfried Sassoon
- Wind in the Beechwood by Siegfried Sassoon
- When I’m among a Blaze of Lights by Siegfried Sassoon
- What the Captain Said at the Point-to-Point by Siegfried Sassoon
- Vision by Siegfried Sassoon
- Villon by Siegfried Sassoon
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.