Life’s a name
That nothing here can truly claim;
This wretched inn, where we scarce stay to bait,
We call our dwelling-place!
And mighty voyages we take,
And mighty journeys seem to make,
O’er sea and land, the little point that has no space.
Because we fight and battles gain,
Some captives call, and say, “the rest are slain”;
Because we heap up yellow earth, and so
Rich, valiant, wise, and virtuous seem to grow;
Because we draw a long nobility
From hieroglyphic proofs of heraldry-
We grow at last by Custom to believe,
That really we Live;
Whilst all these Shadows, that for Things we take,
Are but the empty Dreams which in Death’s sleep we make.
A few random poems:
- Dead Musicians by Siegfried Sassoon
- Waking at 3 a.m. by William Stafford
- Teenager by Patrick Connors
- the_man_that_poetry_made.html
- Георгий Иванов – Теплятся жаркие свечи
- Poetry And Politics
- Алишер Навои – Украсишь ты свой наряд красным
- Eclogue:–John An’ Thomas by William Barnes
- Олег Григорьев – Конфеты
- Валерий Брюсов – Из арабской лирики отрывок
- Violet Beauregarde… by Roald Dahl
- Cities and Thrones and Powers by Rudyard Kipling
- My impure god and I by Murali Sivaramakrishnan
- I Arise And Go Down To The River
- Юнна Мориц – Вместо сноски
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- When Lilacs Last in the Door-yard Bloom’d. by Walt Whitman
- When I read the Book. by Walt Whitman
- When I peruse the Conquer’d Fame. by Walt Whitman
- When I heard the Learn’d Astronomer. by Walt Whitman
- When I heard at the Close of the Day. by Walt Whitman
- What think You I take my Pen in Hand? by Walt Whitman
- What Place is Besieged? by Walt Whitman
- What General has a Good Army. by Walt Whitman
- What Best I See In Thee. by Walt Whitman
- What am I, After All? by Walt Whitman
- We Two—How Long We were Fool’d. by Walt Whitman
- We Two Boys Together Clinging. by Walt Whitman
- Visor’d. by Walt Whitman
- Vigil Strange I Kept on the Field. by Walt Whitman
- Turn, O Libertad. by Walt Whitman
- To You. by Walt Whitman
- To Thee, Old Cause! by Walt Whitman
- To the Garden the World. by Walt Whitman
- To One Shortly to Die. by Walt Whitman
- To Him that was Crucified. by Walt Whitman
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.