A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?

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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Redeemer by Siegfried Sassoon
- The Rear-Guard by Siegfried Sassoon
- The Poet as Hero by Siegfried Sassoon
- The One-Legged Man by Siegfried Sassoon
- The Old Huntsman by Siegfried Sassoon
- The Last Meeting by Siegfried Sassoon
- The Kiss by Siegfried Sassoon
- The Investiture by Siegfried Sassoon
- The Imperfect Lover by Siegfried Sassoon
- The Heritage by Siegfried Sassoon
- The Hawthorn Tree by Siegfried Sassoon
- The Goldsmith by Siegfried Sassoon
- The General by Siegfried Sassoon
- The Fathers by Siegfried Sassoon
- The Effect by Siegfried Sassoon
- The Dug-Out by Siegfried Sassoon
- The Dreamers by Siegfried Sassoon
- The Dream by Siegfried Sassoon
- The Dragon & The Undying by Siegfried Sassoon
- The Death-Bed by Siegfried Sassoon
More external links (open in a new tab):
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.