A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?

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- No! by Thomas Hood
- Behold, the grave of a wicked man by Stephen Crane
- Calypso by W H Auden
- One And Two by Will McKendree Carleton
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The Dark House by Siegfried Sassoon
- The Choral Union by Siegfried Sassoon
- Survivors by Siegfried Sassoon
- Suicide In The Trenches by Siegfried Sassoon
- Stretcher Case by Siegfried Sassoon
- Storm and Sunlight by Siegfried Sassoon
- Stand-To: Good Friday Morning by Siegfried Sassoon
- South Wind by Siegfried Sassoon
- Song-Books of the War by Siegfried Sassoon
- Slumber-Song by Siegfried Sassoon
- Sick Leave by Siegfried Sassoon
- Secret Music by Siegfried Sassoon
- Remorse by Siegfried Sassoon
- Reconciliation by Siegfried Sassoon
- Prelude to an Unwritten Masterpiece by Siegfried Sassoon
- Picture-Show by Siegfried Sassoon
- Parted by Siegfried Sassoon
- October by Siegfried Sassoon
- Noah by Siegfried Sassoon
- Nimrod in September by Siegfried Sassoon
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.