A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- When Lilacs Last in the Door-yard Bloom’d. by Walt Whitman
- When I read the Book. by Walt Whitman
- When I peruse the Conquer’d Fame. by Walt Whitman
- When I heard the Learn’d Astronomer. by Walt Whitman
- When I heard at the Close of the Day. by Walt Whitman
- What think You I take my Pen in Hand? by Walt Whitman
- What Place is Besieged? by Walt Whitman
- What General has a Good Army. by Walt Whitman
- What Best I See In Thee. by Walt Whitman
- What am I, After All? by Walt Whitman
- We Two—How Long We were Fool’d. by Walt Whitman
- We Two Boys Together Clinging. by Walt Whitman
- Visor’d. by Walt Whitman
- Vigil Strange I Kept on the Field. by Walt Whitman
- Turn, O Libertad. by Walt Whitman
- To You. by Walt Whitman
- To Thee, Old Cause! by Walt Whitman
- To the Garden the World. by Walt Whitman
- To One Shortly to Die. by Walt Whitman
- To Him that was Crucified. by Walt Whitman
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Parallel Translations of Poetry
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.