A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Earth is rocking in space!
And the thunders crash up with a roar upon roar,
And the eddying lightnings flash fire in my face,
And the whirlwinds are whirling the dust round and round-
And the blasts of the winds universal leap free
And blow each other upon each, with a passion of sound,
And æther goes mingling in storm with the sea!
Such a curse on my head, in a manifest dread,
From the hand of your Zeus has been hurtled along!
O my mother’s fair glory! O Æther, enringing
All eyes with the sweet common light of thy bringing,
Dost see how I suffer this wrong?

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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- A Song of Enchantment by Walter de la Mare
- Nicholas Nye by Walter de la Mare
- Napoleon by Walter de la Mare
- Arabia by Walter de la Mare
- An Epitaph by Walter de la Mare
- To His Love When He Had Obtained Her by Sir Walter Raleigh
- To a Lady with an Unruly and Ill-mannered Dog Who Bit several Persons of Importance by Sir Walter Raleigh
- The Silent Lover ii by Sir Walter Raleigh
- The Silent Lover i by Sir Walter Raleigh
- The Nymph’s Reply To The Shepherd by Sir Walter Raleigh
- The Lie by Sir Walter Raleigh
- The Conclusion by Sir Walter Raleigh
- The Artist by Sir Walter Raleigh
- Stans Puer ad Mensam by Sir Walter Raleigh
- Song of Myself by Sir Walter Raleigh
- Sestina Otiosa by Sir Walter Raleigh
- Now What Is Love by Sir Walter Raleigh
- On Being Challenged to Write an Epigram in the Manner of Herrick by Sir Walter Raleigh
- Nature that Washed Her Hands in Milk by Sir Walter Raleigh
- My Last Will by Sir Walter Raleigh
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Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.