A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
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- Charm, The by Rupert Brooke
- Paradise Lost: Book 07 poem – John Milton poems
- Imbrium by Todd H. C. Fischer
- Beauty
- Sonnet 28: How can I then return in happy plight by William Shakespeare
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- At Last She Comes by Robert Louis Stevenson
- Яков Полонский – Ночная дума
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- Степан Щипачев – Свет звезды
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- Then by Philip Levine
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sandys Ghost ; A Proper Ballad on the New Ovid’s Metamorphosis poem – Alexander Pope poems | Poetry Monster
- Prayer of St. Francis Xavier poem – Alexander Pope poems | Poetry Monster
- On a certain Lady at Court poem – Alexander Pope poems | Poetry Monster
- On the Countess of Burlington Cutting Paper poem – Alexander Pope poems | Poetry Monster
- On Seeing the Ladies Crux-Easton Walk in the Woods by the Grotto. poem – Alexander Pope poems | Poetry Monster
- On Mr. Gay poem – Alexander Pope poems | Poetry Monster
- On His Grotto at Twickenham poem – Alexander Pope poems | Poetry Monster
- On Colley Cibber poem – Alexander Pope poems | Poetry Monster
- On Certain Ladies poem – Alexander Pope poems | Poetry Monster
- On a Fan of the Author’s Design poem – Alexander Pope poems | Poetry Monster
- On a Certain Lady at Court poem – Alexander Pope poems | Poetry Monster
- Ode on Solitude poem – Alexander Pope poems | Poetry Monster
- Ode on St. Cecilia’s Day poem – Alexander Pope poems | Poetry Monster
- Occasioned By Some Verses of His Grace the Duke of Buckingham poem – Alexander Pope poems | Poetry Monster
- To Mrs. M. B. On Her Birthday poem – Alexander Pope poems | Poetry Monster
- Macer : A Character poem – Alexander Pope poems | Poetry Monster
- Lines on Curll poem – Alexander Pope poems | Poetry Monster
- Lines Written in Windsor Forest poem – Alexander Pope poems | Poetry Monster
- Inscription on a Grotto, the Work of Nine Ladies. poem – Alexander Pope poems | Poetry Monster
- In Imitation of Spenser : The Alley poem – Alexander Pope poems | Poetry Monster
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works

Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.