A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Карл Сэндберг – Анекдот о цикуте для двух афинян
- The Gardener XL: An Unbelieving Smile by Rabindranath Tagore
- Алишер Навои – Чудесные свершения середины жизни
- Владимир Солоухин – У тихой речки детство проводя
- Visor’d. by Walt Whitman
- Dedication To Leigh Hunt, Esq. poem – John Keats poems
- Аля Кудряшева – Такие слишком медовые эти луны
- Ярослав Смеляков – Я отюдова уйду
- STEPPING OUT by Satish Verma
- Epitaph On Mrs. M. Higgins, Of Weston by William Cowper
- Владимир Высоцкий – Жил-был человек, который очень много видел
- Freedom by Walter William Safar
- Валерий Брюсов – После ночи бессонной
- The missing pen by Ross D Tyler
- The Storm by Rainbow Reed
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sweethearts by Mary Gilmore
- Stars and Jasmine by Maurice Riordan
- St Patrick’s Day by Michael McGovern
- Singapore by Mary Gilmore
- Rile Me Up! by Michael D Wentworth
- Remembrance by Maya Angelou
- Raindrops by Michael Mulcahy
- Purgatory by Maxine Kumin
- Progress by Michael McGovern
- Pejar Creek by Mary Gilmore
- Passing Time by Maya Angelou
- O Singer in Brown by Mary Gilmore
- No Foe Shall Gather Our Harvest by Mary Gilmore
- New York’s Bad Dream by Matthew Abuelo
- New York’s Last Gleanings by Matthew Abuelo
- Nationality by Mary Gilmore
- Momma Welfare Roll by Maya Angelou
- Modest Sounds by Michael Brandon Odom
- mine danse macabre doppelganger by matthew scott harris
- Million Man March Poem by Maya Angelou
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.