A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Николай Заболоцкий – На закате
- To A Friend Who Sent Me Some Roses poem – John Keats poems
- Юрий Галансков – Вступление к поэме “Апельсиновая шкура”
- Михаил Кузмин – Я знаю вас не понаслышке
- Lovers by Siegfried Sassoon
- Валерий Брюсов – Из Александрийской антологии. К Сапфо
- Николай Гумилев – За стенами старого аббатства
- An Arab Shepherd Is Searching For His Goat On Mount Zion by Yehuda Amichai
- The Soul of the City Receives the Gift of the Holy Spirit by Vachel Lindsay
- Spanish Banks
- At the bottom by Vasil Slavov
- Fragments
- The Common Life by W H Auden
- Владимир Высоцкий – Жизни после смерти нет
- Bathing In The River
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Not out of the running by Margaret Marie Hubbard
- Nevertheless by Marianne Moore
- Nearly A Valediction by Marilyn Hacker
- My Mother’s Body by Marge Piercy
- My Daughter at 14, Christmas Dance, 1981 by Maria Mazziotti Gillan
- Morning News by Marilyn Hacker
- Love Poem to My Husband of Thirty-one Years by Maria Mazziotti Gillan
- Locked Away by Margaret Marie Hubbard
- Labyrinth by Sera Jacob
- Iva’s Pantoum by Marilyn Hacker
- Island-Hearth by M. Ivana Trevisani Bach
- Irish Love Song by Margaret Widdemer
- Invocation by Marilyn Hacker
- If you should tire of loving me by Margaret Widdemer
- I Dream of my Grandmother and Great-Grandmother by Maria Mazziotti Gillan
- I Deserve It by Margaret Marie Hubbard
- Hurry by Marie Howe
- He Made This Screen by Marianne Moore
- Forever Closed by Margaret Marie Hubbard
- For the Young Who Want To by Marge Piercy
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.