A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Elephant Dormitory by Russell Edson
- A Song of the White Men by Rudyard Kipling
- The Mysterious Cat by Vachel Lindsay
- Remorse: A Fragment by Robert Burns
- The Deeper Shadow by Pierre Reverdy
- Федор Сологуб – Зальдивши тайный зной страстей, Валерий
- The First Part: Sonnet 14 – Nor Arne, nor Mincius, nor stately Tiber, by William Drummond
- Parting Words by Rabindranath Tagore
- Two Lacquer Prints poem – Amy Lowell poems | Poems and Poetry
- Precious Pearl by Vaishnavi Prakash
- Cake by Roger McGough
- Love of the heart by Timileyin Gabriel Olajuwon
- Юнна Мориц – Ручеек
- Кипение
- Friday’s Child by W H Auden
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- For K. J., Leaving and Coming Back by Marilyn Hacker
- Exiles by Marilyn Hacker
- Desesperanto by Marilyn Hacker
- Dear Alzheimer’s by Maria Knox
- Colors Passing Through Us by Marge Piercy
- Children of My Own by Marie Starr
- Belly Good by Marge Piercy
- Baseball and Writing by Marianne Moore
- Barbie Doll by Marge Piercy
- Attack of the Squash People by Marge Piercy
- Always Unsuitable by Marge Piercy
- about emptiness… by Marina Cecilia Kohon
- A Work Of Artifice by Marge Piercy
- A Grave by Marianne Moore
- Woman by Manmohan Acharya
- Without exile, who am I? by Mahmoud Darwish
- Winter’s End by Mac McGovern
- Wind by Mac McGovern
- What these girl means to me by Maphoto selokela
- Two Stranger Birds in Our Feathers by Mahmoud Darwish
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.