A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.
A few random poems:
- Sonnet. The Human Seasons poem – John Keats poems
- Sonnet 55: Not marble, nor the gilded monuments by William Shakespeare
- High Talk by William Butler Yeats
- Apollo And The Graces poem – John Keats poems
- Outset by Mike Yuan
- He Gives His Beloved Certain Rhymes by William Butler Yeats
- Eclogue:–The Common A-Took In by William Barnes
- Жан де Лафонтен – Садовод и Помещик
- Алишер Навои – Кто на стезе любви един
- A Cliff Dwelling by Robert Frost
- The First Part: Sonnet 1 – In my first years, and prime yet not at height by William Drummond
- VII: Some Verses: On The Death of John Murray by William Alexander
- An Essay on Man: Epistle II poem – Alexander Pope
- Омар Хайям – Если гурия страстно целует в уста
- Lines Written As A School Exercise At Hawkshead, Anno Aetatis 14 by William Wordsworth
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- No, Love Is Not Dead by Robert Desnos
- Lying Down by Robert Desnos
- Long Long Ago by Robert Desnos
- If You Only Knew by Robert Desnos
- Identity of Images by Robert Desnos
- Fairy Tale by Robert Desnos
- Zero by Robert Creeley
- Water Music by Robert Creeley
- The Way by Robert Creeley
- The Warning by Robert Creeley
- The Rain by Robert Creeley
- The Mirror by Robert Creeley
- The Innocence by Robert Creeley
- The Conspiracy by Robert Creeley
- The Carnival by Robert Creeley
- Song by Robert Creeley
- Something by Robert Creeley
- Other by Robert Creeley
- Myself by Robert Creeley
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.